Lorde almighty, political dance and a standing sheep at Mad March
NZ pop royalty Lorde, Canadian dance theatre and a walking sheep – read the latest reviews from the Arts Editor’s desk.
NZ pop royalty Lorde, Canadian dance theatre and a walking sheep – read the latest reviews from the Arts Editor’s desk.
This show has it all, including well-known musical highlights – only new and improved parody versions.
A raucous night of delightfully camp fun – A Night at the Symph-honey will leave you buzzing with joy.
To save Silverwood’s career, and his cat (its life is on the line) this show is a must see for the final stretch of the Fringe.
This clever pastiche of Gilbert & Sullivan is presented as a pitch to the Australia Council with the musical woven into a faux grant meeting.
Effortlessly cool, if a little self-deprecating, it’s easy to see why Taunton’s star has been rising over the past few years.
Generating outrageous material from readers’ writings, this is a brilliant left-field concept from four remarkable improv talents.
Beneath the wildly goofy veneer and dorky dad energy, there’s a vulnerability that makes Simmons an incredibly enigmatic performer.
Prepare to laugh like you never have, squeal like you’re 12 and smile like it’s your last school photo day.
A poignant blend of modern technology with the rich Indigenous history of the land we stand on, Sky Song feels deeply significant.
This is the sandpit from hell, but hey, the audience is left helpless with laughter, so we didn’t mind.
Throw absolutely every preconceived notion of good stand-up out the window as Noble continues to rewrite the book.
Steven Oliver is a minority within a minority, and you can add to that an even smaller group: the spectacularly talented.
Sarah Butler and Jillian O’Dowd present a highly theatrical, thoughtful expression of what it means to be homeless.
Muggleton is a loose lipped wonder, poking light at difficult topics faced by young ones in our not-so-politically-correct generation.
Faux-thentic French duo Abby Dobson and Lara Goodridge were as sparkling and scrumptious as champagne.
An interesting discussion on social perceptions and how your country of birth, age and upbringing influence the way you see the world.
The likeable and intriguing Hew Parham’s new solo show is an journey of self-discovery that is both bizarre and hilarious.
Mary Angley and Yoz Mensch give dynamite performances as the doting, neurotic parents of Samuel in this lyrical, new production.
Separated by trauma and addiction, two siblings reflect on their childhood and what drove them to become the people they are.
With edgy political takes and bold observational humour, Ain’t It Funny is raw, dark, and gripping.
Soprano Emma Horwood, supported by her own harp playing and that of Christine Morphett, sings of Celtic mists and whimsy.
There are no has bins in this entertaining kids show about compost, rubbish and recycling.
This show has a mission to entertain young people with circus skills while dissolving their concerns and anxieties – harmless fun.
Combining Adelaide Hills duo Tin Can Alley with Heaven Knows Acapella, this concert ranged well-known from covers to originals.
Short and sweet, this quirky production from a young cast showcases terrific writing and acting.
Didgeridoozy is equal parts educational and side-splitting, as Simpson weaves tales of his home town and its quirky characters.
The powerhouse queens of Oz comedy are a welcome breath of fresh air with their part-play, part-stand-up homage to lockdowns.
According to mezzo soprano Kirsti Harms, many opera tragedies would have been avoided by the casting of a family lawyer.
Sam Dugmore delivers ballistic slapstick comedy as 80s action-man Manbo.
Theatre, comedy, drag, circus, music and dance artists have put together a light, bright, sequin-and-fishnet-filled romp.
Actor Eleanor Stankiewicz incorporates the music, the mystery, and the wonder of the animated film Anastasia to tell a new story.
Turning a traumatic experience into comedy gold is no easy feat, and this glimpse in to Goundrey’s many lives is a delight.
The forgotten women who served in the Vietnam War find voice in this intelligent production
A slapstick comedy with enduring appeal, Dinner For One is a delight.
It’s time to leave the past where it belongs, and this friendly performance might just convince us to do that.
Bright and engaging while incredibly laid back, Connell delights all ages with his raw, that-surely-didn’t-happen stories.
Cody has the crowd doubled over in laughter from start to finish with his razor sharp observations and anecdotes.
Exploring millennial problems, Grace’s experiences resonate but a lack of stage presence leaves her punchlines wanting.
Aleksandra the Great goes on a journey in the arts industry dealing with topics like fat-phobia, suicide and sexual assault.
One for the fans and those unafraid of potential perforated eardrums, Kapiniaris does what he does best in this offering.
McCaffrie casts a satirical eye over Australia’s political landscape in a charming, factual yet hilarious manner.
Lucy Gransbury is ordinary but it’s the extra – especially her song parodies – that makes this show delicious.
Werewolves is fabulous fun as ringmaster Nick Phillips leads you cleverly through the game, creating an edge-of-your-seat unease.
Stephen Sheely leads you to question whether this is comedy or you’ve signed yourself up for four years of student loans.
Lumina Vocal Ensemble and Lyrebird Consort livened up after interval with a colourful infusion of dance-inspired numbers.
Audiences can safely be assured of an hour of laughter, whether Stephen K Amos is trotting out one-liners or teasing them.
Lauren Thiel is bold, cheeky, daring and confident, and is exploring her sexuality … and is very funny.
Not for the faint-hearted, The Racist Immigrants definitely sways to the filthy side – but if that’s your thing, you’ll be roaring with laughter.
Bridget Gao-Hollitt and Wil King could go off-grid generating this much electricity in a clever, demanding exploration of power.
This immersive sound and light show soars past planets, comets and nebulae to give you a sense that space is big. Really big.
Self-described introvert Patrick Golamco’s lack of confidence results in uncomfortable jokes which build an awkward tension.
Offbeat, fun and something you would never predict – this is perfect Fringe fare from a real stage presence.
Satirical, dark, clever – Michael Shafar’s edgy comedy, when it lands, lands hard.
Wil Anderson recounts hilarious struggles to relate to residents in his new home town, dubbed the anti-vax capital of Australia.
Patrick Livesey’s latest work is an astonishing, raw and gut-wrenching tribute to his mother and her death by suicide. It’s a triumph.
Supported by fabulous drag queens, Tash York delivers a show filled with music, jokes, anecdotes and skits for a happy buzz.
Hale uses his abilities to present a mind-blowing display of the power within the human brain, in an hour of untamed laughter.
In an intimate display of stripped-back stand-up, Matthew Vasquez and Bronwyn Kuss poke light at dark stereotypes.
Maestro’s improvised games let the crowd decide who’s the best on their feet, and who flops under the pressure.
Lehmo’s laid-back, entertaining narratives and quick wit are lapped up with glee.
Andrews and Franzway perform an eclectic mix of silly sketches designed to confuse, amuse and bewilder the audience.
Best friend comedy duo Annie Lumsden and Lena Moon suffer a millennial existential crisis in their new sketch show.
A cabaret makes free with some favourite fairy tales. The Big Bad Wolf may get a reprieve after all.
Fabien Clark is back with another romp around the delights and perils of family life, partners, kids, parents and more.
Tania Lacy’s latest foray is a slickly scripted piece. She knows how to spin a yarn.
A play about the Ukrainian diaspora, I Am Root is about finding your place in a new country while keeping true to your origins.
Everett’s ridiculously topsy-turvy, surreal performance has plenty of hilarious moments, but it’s in need of some tightening.
Watch this space – Gabbi Bolt is going to be a star, or a feminist icon, or both.
The Umbilical Brothers never stop evolving, with antics and slapstick that are a really impressive coup of comedy and theatre.
Jason Pestell delivers a show which feels spontaneous and relies heavily on audience interaction in Kmart to the Rescue.
Southern may be the only comic who can get away with talking about Covid for 50 minutes without it feeling overdone.
Instantly relatable, charismatic and doubled-over-gasping-for-air funny, Bok held the audience in the palm of her hand.
Some very important issues of identity, creativity and self worth are brought on to the stage.
Anna Lumb is a Melbourne mum and circus performer determined to prove she still belongs on stage.
It’s an Adelaide v Melbourne battle for most “liveable city” title in this new play about hope and home.
Mixing lighthearted, punny humour with a very informed science background, Rayner takes the audience on a journey.
A natural storyteller with a knack for imagery and a dazzling onstage presence will have you hanging on every word.
If you like your comedy on the downright insane end of the spectrum, Sam Campbell will satisfy your every need.
One of the world’s top freestyle basketballers developed his highly entertaining show for families and a packed house loved every bit.
A solid hour of moves that run the gamut from classical and modern, through hip-hop, freestyle and even a dash of Bollywood.
Tim Motley’s detective takes a more family-friendly approach this year which pays dividends, with PG appeal to a younger audience.
One actor is late, so the audience has to help the remaining actors with the narrative they will be improvising.
Tahir’s stand-up includes stories, magic and improvisation. For better or worse, he does accents and stereotypical racial jokes.
Quantum has a clever knack of making a number of acts appear connected, compounding the apparent complexity of the whole.
Don’t let the title fool you – there’s no smut here. Just an hour of intimate cabaret from one of our brightest local talents.
Experienced soloists, soprano Joanna McWaters and baritone Andrew Turner, add zest and musical glamour to the male choir.
AVÉ is the brainchild of star singer-songwriter Katie Noonan, who has formed a quartet that’s a force to be reckoned with.
A familiar blend of song, dance, comedy and aerial acrobatic routines with a recurring wine theme.
If Kira Yang is only just coming out of her shell, she and her former music theatre classmates are going to be talents to watch.
A musical which combines original songs with familiar hits also mashes children’s pantomime and adult comedy, to mixed results.
From the dark, to the filthy, to the downright joyfully silly – this is the perfect choice for comedy lovers with a thirst for variety.
Slightly nuts – but never boring – this production is an entertaining evening with Robinson Crusoe writer Daniel Defoe.
Carla Anita Mattiazzo’s superb one-woman show is everything you ever wanted to know about periods (but were afraid to ask).
A warm-hearted solo performance from Dummies Corp’s Simon Wright mixes physical comedy, acrobatics and a touch of magic.
A mime tribute to the exquisite vocalist Blossom Dearie is archetypally Fringey – and a little Shakespearean.
Nona Mona combines her stellar burlesque skills with her newly acquired stand-up comedy routines.
Katie Elle Jackson is trying to remain positive after she never received her Hogwarts letter on her 11th birthday.
Shelley Dunstone’s Marilyn Monroe-like tones shine in moments, as she shares memories which have shaped her life.
Five diverse and provocative performers keep the action coming in sharp bursts which have everyone on the edge of their seats.
Kassab takes audiences through seemingly irrelevant stories which culminate in a hilarious perspective on love and relationships.
If you need a balm for the soul or ointment for an itch, Nurse Georgie Carroll is on hand to provide a jolly good time.
As a title for this engaging, very silly romp, camper than row of pink frilly tents, it barely covers it. Dripping wet, this cast is, and the audience gets soaked a bit as well.
Firstly, Victor David is Dutch and secondly, he actually has worked as a hand model in advertising photos and videos.
Stephen Schofield is superb as a young Bert Wilkins, an extraordinary South Australian.
John Waters becomes Jacques Brel in this brilliant show celebrating the famous Belgian’s French songs.
In a concert of solo flute works inspired by the beauties of natural phenomena, there was far more variety than you’d expect.
Gender identification and overt sexism are centre stage in the game show from hell.
Fiona O’Loughlin aka “Mrs Keith Richards” is more than happy to laugh at herself in this standout stand-up show.
Get set for a hedonistic night of sensual stunts, ribald wit and incredible acrobatic prowess
The Venezuelan ex-pat comic is expressive, energetic, completely charming and just bloody funny.
The classical arrangements are excellent and faithfully capture the experimentation and bombast of the Fab Four’s 1967 recording.
Social media giants clash in this scary insight into our hi-tech modern world.
Covid has created a desert for chorus lines. This outing into the Fringe can be taken as their oasis.
Outside the Lines Circus proves to its audience, in this beguiling show, that there is no rule that isn’t worth breaking.
Muller makes quirky observations about how he doesn’t fit into traditional standards – and about a guy who ate a plane.
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