It’s difficult for Hoda Afshar’s images to compete with the many vivid and painful photographs that have come out of protests in Iran, whether shots of demonstrators taking off their headscarves or women cutting their hair.
Because dark matter doesn’t emit, reflect or absorb light, it is invisible. This exhibition takes a surprising approach to illustrating the ‘stuff’ that is said to make up 95 per cent of the universe.
A Sydney exhibition is so rich with intriguing items from a vast history of mankind, it’ll keep you doubling back. But this one takes the cake.
A decade after his death, Adam Cullen’s work is emblematic of a painter who suffered from terrible health problems and psychological anguish.
As a rule of thumb, a dinner party guest should be able to walk home unassisted unless very old.
Nineteenth-century artist Charles Rodius was transported to the colony after stealing a ladies handbag and went on to paint the leading citizens of Sydney.
The consequences of AI for art and literature are enormous but the technology still has its limitations.
Allowing students with appallingly low ATARs into the teaching profession has helped to undermine their social standing.
A photographic event like few other: Ballarat Foto Bienniale is leading the way for the presentation of art in Australia
This photography exhibition is almost shocking to witness – and in stark contrast to our ludicrous art prizes, where judges are rarely chosen for their competence.
Original URL: https://www.theaustralian.com.au/author/christopher-allen/page/9