Shapeless, feeble and uninspiring: why is the NGV Australia exhibiting Cats and Dogs?
This exhibition about the relationship between man and his best fur friends is far from – to use one of the gallery’s puns – ‘purrfect’.
This exhibition about the relationship between man and his best fur friends is far from – to use one of the gallery’s puns – ‘purrfect’.
The Vikings were as savage and destructive as the Mediterranean pirates, and just as ruthless in seizing people to sell as slaves, but they were also much more impressive as seafarers.
A sparkling exhibition in London celebrates Siena’s 14th century role as a centre of painting quite distinct from Renaissance Florence.
The Italian Baroque master had underage sex partners and used vulgar models – yet is surprisingly popular today.
Lovers of Australian flowers and botanical painting won’t want to miss these watercolours by Rosa Fiveash and Ellis Rowan at David Roche Gallery in Adelaide.
The winner of this year’s Archibald Prize, Julie Fragar’s Flagship Mother Multiverse (Justene), is a predictably poor choice.
Ken Unsworth, 94, is surely one of Australia’s leading artists but does not qualify as being ‘fashionable’ according to today’s standards.
Imperfect as Australia is, there is no better country in the world to live in. If young people have been told otherwise, their teachers have misled them.
The Archibald Prize hang is an annual dog’s breakfast. The judges need to do better.
The media have for years been addicted to the cliche that the Archibald Prize is ‘controversial’, but would never dare question the inclusion of any of the truly incompetent pictures – they are generally made by minorities who are today exempt from criticism.
Original URL: https://www.theaustralian.com.au/author/christopher-allen