Female gaze
THERE is something missing from the Modern Woman exhibition, which appears to be a poorer cousin of a similarly named Canadian offering.
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A tasty offering of fish and ships
STEPHEN Scheding’s exhibition is displayed across two levels at the National Maritime Museum in Sydney.
Frozen time
BUILDINGS are the most tangible monuments of a civilisation.
Comic effect
ROY Lichtenstein’s work illustrates the assumption that if a work lends itself to commentary, it must of necessity have substance.
Time please
TIME is used to remarkable effect in Christian Marclay’s video work The Clock at the newly reopened Museum of Contemporary Art in Sydney.
The road more travelled
THE National Museum of Australia’s Travelling the Silk Road exhibition has the pervasive feel of being addressed to a clever schoolchild.
Drawing’s alchemy spins gold
THE Rick Amor Drawing Prize, established in 2010, is held every second year at the Art Gallery of Ballarat in Victoria.
German precision
A COUPLE of recent exhibitions have recalled the part Germans played in the history of Australia.
Oh no, not you again
THIS time of year sees the same familiar picture of disparate mediocrity but some contenders still manage to stand out from the crowd.
Original surprises
WILLIAM Kentridge is anything but the familiar battery hen of the contemporary art business yet he has achieved great acclaim.
Original URL: https://www.theaustralian.com.au/author/christopher-allen/page/76