A meditation on cosmic order
A London-based collective’s video animations awaken viewers to the act of breathing and our existence with nature
Christopher Allen
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NGV’s Triennial a ‘populist circus’
Melbourne’s flagship art institution is in danger of falling into a dangerous trap.
The world’s most precious books?
This fascinating exhibition is built around a set of precious volumes lent by the British Library, and which were part of its Hebrew Manuscripts: Journeys of the written Word exhibition in 2020.
Ritual and energy of a desert painter without peer
The National Gallery of Australia’s Emily Kam Kngwarray exhibition is a worthy and well executed one. But is the Indigenous painter really one of the great artists of the 20th century?
Baroque beauty you must see
Regional art, and art connoisseurs, are the winners as the NGV partners with a gallery out west for this impressive exhibition.
A religious experience at … MONA?
The Museum of Old and New Art in Hobart has enjoyed juxtaposing the ancient and the contemporary since its inception, but this is its first exhibition devoted entirely to old art. But does it work?
Ever wondered what it’s like inside a volcano?
This remarkable installation deep underground at MONA in Hobart is the work of the singer Jónsi from the group Sigur Rós.
Arresting visions from the austere
An exhibition of Tacita Dean’s film work, and her observations of art and artists, focuses on the idea of generating new creativity.
Donald Friend: beyond the sins of the artist
Can we look beyond the repugant acts of the artist and see Donald Friend’s art for its brilliance alone?
Tales drawn from antiquity
Objects in the Macquarie University History Museum have inspired an artistic response to their depiction of myths and fables.
Original URL: https://www.theaustralian.com.au/author/christopher-allen/page/5