The art shows killed by Covid
Of all the exhibitions that I was unable to see, two stand out as causes of genuine regret: the NGV’s French Impressionism from the Museum of Fine Arts in Boston and TMAG’s show on T.G. Wainewright
Of all the exhibitions that I was unable to see, two stand out as causes of genuine regret: the NGV’s French Impressionism from the Museum of Fine Arts in Boston and TMAG’s show on T.G. Wainewright
He was one of our great painters, and one who was consistently reticent about the meaning of his work. But why?
There is a host of good art on show this summer. You just need to know where to look
We are still heirs to a distorted moral perspective in which a politician or captain of industry can cause death, suffering or environmental destruction without opprobrium, but can have his career ended for a sexual indiscretion.
Freud’s theory that sexuality was the most powerful force determining the development of the human mind would be realised in early 20th-century Vienna
Manet’s paintings of sexual life in Paris were discomforting for many.
Paintings of the male nude in the late 18th century raise interesting questions around the intersection of erotic and aesthetic taste.
The list of acquisitions and prices the NGA has been forced to reveal is disturbing to read, and suggests oversight of that institution is worse than we thought.
There are sexual undertones even in the imaginative aspects of human experience explored in the Romantic era
Images of love are never overtly sexual, but there are erotic overtones if you pay close attention
Original URL: https://www.theaustralian.com.au/author/christopher-allen/page/20