Our true master
In this first significant survey of Jeffrey Smart’s work since his death, his importance as one of the greatest Australian painters of the post-war period should be clearer than ever.
In this first significant survey of Jeffrey Smart’s work since his death, his importance as one of the greatest Australian painters of the post-war period should be clearer than ever.
The earliest example of mural painting can be found in the ancient images cavemen produced on rock faces in the stone age.
George French Angas was in a sense predestined to be the first artist of South Australia.
Aesop is one of the most familiar names in the history of literature, and his tales have resonated across cultures and through the centuries.
Cook not only revealed the most habitable parts of Australia, he changed the way we perceived its geography.
Matisse was temperamentally very different from Picasso, but his work reflects his own reaction to the same collective movement in the modernist pictorial imagination.
Of all the exhibitions that I was unable to see, two stand out as causes of genuine regret: the NGV’s French Impressionism from the Museum of Fine Arts in Boston and TMAG’s show on T.G. Wainewright
He was one of our great painters, and one who was consistently reticent about the meaning of his work. But why?
There is a host of good art on show this summer. You just need to know where to look
We are still heirs to a distorted moral perspective in which a politician or captain of industry can cause death, suffering or environmental destruction without opprobrium, but can have his career ended for a sexual indiscretion.
Original URL: https://www.theaustralian.com.au/author/christopher-allen/page/17