Play shows to all-black audience free from ‘white gaze’
‘Black Out nights’, pioneered in New York, are becoming increasingly popular in the Western theatre world.
‘Black Out nights’, pioneered in New York, are becoming increasingly popular in the Western theatre world.
Australia’s Succession star Sarah Snook earns five-star reviews for her ‘brilliant’ and ‘virtuoso’ solo turn in Dorian Gray in London’s West End.
Queens of the Stone Age, Paul Kelly and Courtney Barnett kicked off the opening weekend of the Museum of Old and New Art’s annual summer arts festival. And, now in its 16th iteration, Brian Ritchie’s jovial jamboree was full a surprises.
Dancers transform themselves into animals in this theatrical retelling of The Jungle Book, updated to a world on the brink of collapse.
Playwright Louis Nowra on the role of gentrification in his beloved Kings Cross, working with Brian Cox, and sitting through five hours of live theatre.
Matthew Broderick’s career took off with Ferris Bueller’s Day Off in 1986. But most people just want to know, what’s it like being married to Sarah Jessica Parker?
The musical version of Groundhog Day diligently ticks off every scene from the movie, with the addition of clever staging and smart songs by Tim Minchin.
Television star Josh Thomas has had the kind of US success most local comics could only dream of. So why has he had enough of LA?
Ruth Mackenzie’s Adelaide Festival program is a bit like going on safari. You might see elephants at the waterhole or you might not. Either way ‘we are going to take you on a journey’.
Alan Joyce has ‘reluctantly’ resigned from the Sydney Theatre Company board chairmanship as a pro-Palestine protest is estimated to have cost the STC $1.5m.
Brazilian dancers in Encantado land in Sydney with a promise to enchant audiences at the Sydney Festival.
Bio-ballets, Broadway musicals and new Australian operas are bound for our theatres next year, writes Matthew Westwood
The arts should excite dormant senses, tickle the grey matter and make us feel alive. These stage productions did just that.
He went from an impoverished childhood in rural china to international stardom as a ballet prodigy. The man they call Mao’s Last Dancer is bowing out in style in his adopted home of Brisbane.
Former Royal Ballet principal artist Leanne Benjamin is thrilled to be returning home after 43 years to head Queensland Ballet.
After his bawdy joke about Jesus on The Project earlier this year, the cabaret star has some advice for anyone who finds themselves cancelled.
Ann Johnson tells donors the organisation will forge an ‘alternative’ path through its internal crisis that seeks common ground rather than division.
Ahead of his farewell shows in Brisbane and acutely aware of the row engulfing the arts over the STC actors’ pro-Palestinian protest, Li Cunxin says politics and the arts don’t mix.
In an era where there is less and less intimacy in films, Tony McNamara’s Poor Things arrives practically throbbing with desire.
Ballet supremo Li Cunxin faced down his mortality after he fainted suddenly and was airlifted off Hayman Island last year. What happens when the mind is willing but the body – once limber and powerful – is not?
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