UK arts trailblazer perfectly at home in ‘radical’ Adelaide
Ruth Mackenzie’s Adelaide Festival program is a bit like going on safari. You might see elephants at the waterhole or you might not. Either way ‘we are going to take you on a journey’.
Ruth Mackenzie’s Adelaide Festival program is a bit like going on safari. You might see elephants at the waterhole or you might not. Either way ‘we are going to take you on a journey’.
Television star Josh Thomas has had the kind of US success most local comics could only dream of. So why has he had enough of LA?
Alan Joyce has ‘reluctantly’ resigned from the Sydney Theatre Company board chairmanship as a pro-Palestine protest is estimated to have cost the STC $1.5m.
Brazilian dancers in Encantado land in Sydney with a promise to enchant audiences at the Sydney Festival.
Bio-ballets, Broadway musicals and new Australian operas are bound for our theatres next year, writes Matthew Westwood
The arts should excite dormant senses, tickle the grey matter and make us feel alive. These stage productions did just that.
He went from an impoverished childhood in rural china to international stardom as a ballet prodigy. The man they call Mao’s Last Dancer is bowing out in style in his adopted home of Brisbane.
Former Royal Ballet principal artist Leanne Benjamin is thrilled to be returning home after 43 years to head Queensland Ballet.
After his bawdy joke about Jesus on The Project earlier this year, the cabaret star has some advice for anyone who finds themselves cancelled.
Ann Johnson tells donors the organisation will forge an ‘alternative’ path through its internal crisis that seeks common ground rather than division.
Ahead of his farewell shows in Brisbane and acutely aware of the row engulfing the arts over the STC actors’ pro-Palestinian protest, Li Cunxin says politics and the arts don’t mix.
After losing her father and brother to the disease, the Melbourne comic has a potent message for those who are afraid of dying.
In an era where there is less and less intimacy in films, Tony McNamara’s Poor Things arrives practically throbbing with desire.
Ballet supremo Li Cunxin faced down his mortality after he fainted suddenly and was airlifted off Hayman Island last year. What happens when the mind is willing but the body – once limber and powerful – is not?
It took Leah Purcell 25 years to bring 94-year-old Aunty Ruth Hegarty’s recollection of living as a stolen generation dormitory girl to the stage. Both agree now was the only time to do so.
It comes after numerous actors in two STC plays protested the ‘occupation’ and ‘genocide’ in Gaza.
The Sydney Theatre Company abruptly canned a performance of The Seagull last night, less than an hour after publicly ordering its stars to keep their pro-Palestine politics off stage.
The actors’ union says they would support the trio if any action was taken, senator-elect Dave Sharma weighs in on the stunt.
Sigrid Thornton stars as a manipulative diva in Andrew Upton’s racy new adaptation of The Seagull.
The company distances itself from its actors who donned traditional scarfs during an encore in a ‘stance’ against the ‘occupation of the Palestinian people’.
Comedian Joel Creasey on Australian celebrity culture (‘lame’), Joan Rivers (‘rockstar’) and why he keeps politics out of his comedy for a reason.
Seven years after Andrew Upton and his wife Cate Blanchett shifted their family from Sydney to the UK, he has returned to theatre to a doozy.
The comedian reveals that one of the unexpected flow-on effects from Covid – we all forgot how to be an audience.
Sisters Mandy and Hayley McElhinney at last are appearing on stage together in their own play.
She’s played Miss Honey in Matilda The Musical, and now Donna in Mamma Mia! But when COVID shut down the industry, Elise McCann’s life took a totally different course.
Broadway composer John Kander says the actor made him so pissed off that he and Fred Ebb banged out a hit in just 45 minutes.
The former first lady lends her support to Suffs, a musical about America’s ‘unsung trailblazers’.
When Barbra Streisand agreed to an interview with Ed Potton, nothing was off the table. But her book goes to a place even they didn’t reach – Marlon Brando
Up close is right. It’s likely you’ll never get nearer the spectacular Sydney Dance Company bodies than this.
Queensland Ballet artistic director Li Cunxin has fired a parting shot at the federal government on the eve of his retirement, saying a funding shortfall has harmed his health.
Original URL: https://www.theaustralian.com.au/arts/stage/page/6