Clever crew delivers intimate telling of Dalton tales
An ensemble cast brings to the stage Trent Dalton’s Love Stories, collected when the writer asked strangers to share their tales of romance, rejection, and regret.
An ensemble cast brings to the stage Trent Dalton’s Love Stories, collected when the writer asked strangers to share their tales of romance, rejection, and regret.
As the Celine Dion-powered musical reimagining of James Cameron’s blockbuster docks in Sydney, its creators say the future of theatre no longer belongs to ‘old crotchety men’.
The nation’s biggest performing arts company will not replace its artistic director role, just three weeks after the abrupt departure of Jo Davies.
Oscar Wilde, and the literary giant’s ‘too-muchness’, is a wonderful subject with an extraordinarily rich score but the ballet is still in search of an ideal form.
The beloved children’s writer often said Israel was like Nazi Germany. The author of a radical new play explains why now is the right time to examine his racism.
The Australian singer who from early childhood had “a good feeling” in her bones about music, offers a message of hope.
From a risqué Gaultier revue, to a new Australian opera and a Trent Dalton crowd pleaser, the 2024 program appeals to many different audiences.
Journalism runs in Trent Dalton’s veins and that’s why it was important the adaptation of his best-selling book, Love Stories, appropriately honoured the tales of joy, heartache and passion everyday Australians entrusted to him.
Of the recent furore in which a critic upbraided The Australian Ballet’s dancers for being too thin, star choreographer Graeme Murphy is circumspect.
The actor, who gave voice to characters like Darth Vader in Star Wars and Mufasa in The Lion King, went on to collect Tonys, Golden Globes, Emmys, and an honorary Oscar.
Andrew Bovell calls on playwrights to ‘push back’ against the escalating trigger warning trend in theatre, because such warnings were often inaccurate, contained huge spoilers and could damage a play’s reputation.
Like Hair in the 1960s and Rent in the 1990s, Hamilton is the defining musical of the 2000s; a game-changer.
Speculation is now swirling after an announcement that rocked the arts world.
Former ballet star Leanne Benjamin says she was ‘encouraged’ to pursue her vision as artistic director of Queensland Ballet – the same vision that has been cited as a reason for her shock departure.
Former Royal Ballet star Leanne Benjamin is making a shock leadership exit after just a few months as the prestigious company’s artistic director.
The cult hit Titanique, debuting in Australia in September, poses the question: What if Celine Dion set sail on the doomed cruise liner in 1912, and lived to tell the tale?
Passion is the main game in the Sydney Opera House’s scintillating production of Hamilton creator Lin-Manuel Miranda’s shaggy dog love letter to Washington Heights.
Ray Lawler went each day to the Melbourne Public Library and did nothing but write for one and a half years, creating a ‘state-of-the-nation’ play.
Melbourne playwright Ray Lawler, whose landmark play, Summer of the 17th Doll, changed the direction of Australian theatre, has died.
Megan Phelps-Roper still deals with the fallout from leaving a sect dubbed America’s ‘most hated’ family. That hasn’t stopped her from tackling our era’s most divisive social issue.
Original URL: https://www.theaustralian.com.au/arts/stage