Magic, white tigers and fraught love – now that’s entertainment
Singing while being sawn in half? What’s not to love about that?
Singing while being sawn in half? What’s not to love about that?
Sydney Festival marquee show Dark Noon inverts the usual westerns script, as a black South African cast depict three centuries of US history in 100 frenetic minutes: ‘This is what it looks like when you write someone else’s history. Can you see how ridiculous it is?’
Rating the best stage performances of the year is impossible, but here are a selection worthy of special attention.
We’re fourth in the world for creative thinking, but a cultural strategy could take us to the top.
If the new chief of the Queensland Performing Arts Centre, Rachel Healy, has her way, there will be no empty theatre seats as she breathes new life into programming.
Victor Hugo based two central characters on the colourful double life of crook-turned-detective Eugene-Francois Vidocq.
Broadway writer Rick Elice talks about his Peter Pan origin story Peter and the Starcatcher, surviving grief and how staging a musical can resemble a military operation.
In more ways than one, Roman Banks took on the most difficult role on Broadway when he was cast as the treasured and troubled pop icon in MJ: The Musical.
When Review was invited to run away to Cirque du Soleil they jumped at the opportunity … only to realise a wannabe acrobat was a mere office clown.
For 20 years, Robyn Hendricks has dazzled audiences of The Australian Ballet with her talent, grace and determination. This month, she plays an iconic role to cap off her anniversary with the company.
As The Devil Wears Prada hits London’s West End, the fashion editor of The Times (and former Vogue assistant) reveals the reality of life at a glossy magazine.
The pop star turned Commonwealth Games swimmer will make his Australian music theatre debut as Sky Masterson in Opera Australia’s new production of the Broadway classic.
Round the Twist was a staple of after-school television in the 1990s and early-2000s and now the wacky stories have been adapted to the stage in musical form.
Ralph Fiennes is tipped for an Oscar for his doubt-stricken cardinal in Conclave. He talks to Jonathan Dean about power, the problem with religion and why he’s never done a TV show.
The seven Pigram brothers have been performing together since they were teenagers.
The classic take on the Jesus tale by Tim Rice and Andrew Lloyd Webber remains a show worthy of all the hallelujahs and hosannas you can muster.
Tim Rice says his days being part of the “in” crowd are over. But that’s not to say he doesn’t understand mass populism, he did, after all, write a musical about the most famous person to have walked the Earth: Jesus Christ.
Watching as a nine-year-old dancer, David Hallberg ‘felt the magic’ during a performance of The Nutcracker. Now The Australian Ballet’s artistic director shares the enchantment.
Writer Jodi Picoult aims to ‘convince you all’ that Romeo and Juliet, Hamlet and more of the Bard’s other best-known works were in fact written by a female poet.
Shaun Micallef has seen huge disruption in the entertainment industry since his TV debut 26 years ago. But one thing hasn’t changed.
Original URL: https://www.theaustralian.com.au/arts/stage