The wildest scene in a movie this year
Triangle of Sadness features the wildest scene you’ll see on a screen this year – one where pandemonium and vomit reigns.
Triangle of Sadness features the wildest scene you’ll see on a screen this year – one where pandemonium and vomit reigns.
Darkly funny and sometimes deeply grim, The Banshees of Inisherin proves again the alchemical mix of Colin Farrell and Martin McDonagh.
Thirteen years in the making and with outsized expectations, James Cameron’s epic follow-up misses the fundamentals of storytelling.
It’s fun and dynamic but the latest adaptation of Matilda lacks the bite of Roald Dahl’s book.
This was meant to be Will Smith’s next big Oscars shot but the movie itself isn’t even good enough to be a real contender.
Pulsing with passion and desire, Lady Chatterley’s Lover may even make you blush.
Most Christmas movies are interchangeable but this one benefits from the charm of its likeable leads.
It culminates in a eye-popping sequence you can’t quite believe, but there’s still something missing.
Timothee Chalamet reunites with Luca Guadagnino in a new movie. But can you stomach the cannibalism aspect?
It almost never happens. Here is a follow-up movie that is as flawless as the original. What the what?
A sequel to a popular Disney hit has some charms and delights, but also some disappointments.
A film that is at times enraging and terrifying and at times heartbreaking and gripping, it’s a worthy drama of the Weinstein investigation.
This isn’t the anticipated comeback Lindsay Lohan would have wanted. Her Netflix movie is witless and tired.
How do you move on from a visceral loss and do it with feeling and nuance in an action blockbuster? It’s not easy.
With a charismatic lead and a compelling plot, Netflix’s sequel to Enola Holmes is likeable, sassy and fun.
Filmmakers have a tendency to varnish their childhood memories with a rose tint. Not this one.
If there’s one thing you should know about Florence Pugh, it’s that she really is that good.
Sometimes you just want something to make you feel comfortable and safe.
Don’t slink into a deserted 10am Tuesday session for this laugh-out-loud comedy.
There’s no benefit to denying that there are aspects about humanity that are dark and disturbing.
The Rock is one hell of a charismatic guy. Well, usually. So what happened to drain him of every ounce of charm?
Sometimes you know exactly the right person has been chosen to play a certain role. This is one of those moments.
Even the greatest love story of all time can get an update, and this breezy new movie does it with a fun twist.
After 13 movies, the Halloween franchise is at an end. Did it go out on a high? No, it did not.
It has the most unbelievably stacked cast, led by Margot Robbie and Christian Bale. That’s part of the problem.
If you love Agatha Christie and golden age mysteries, you’re going to get kick out of this.
If you want to sit through two hours and 46 minutes of agony and abuse, then Blonde has you sorted. But who does?
With a minimalist plot and a simple premise, this vertiginous movie does exactly what it needs to – and nothing more.
If you had on your 2022 bingo card a revival of Harvey Danger’s “Flagpole Sitta”, we salute your prescient powers.
A movie that must be seen in a cinema, Moonage Daydream is a sensory experience.
There’s only one reason to buy a ticket to George Clooney and Julia Roberts’ new movie. Well, technically, there are two.
Some stories understand there’s more power in what’s not said than shouting about everything all the time.
Tom Hanks might be the nicest man in Hollywood but that decency sometimes translates to a one-dimensional performance.
It’s inevitably already in the Netflix top 10 after less than a day but don’t let that fool you into thinking it’s any good.
If you love a good yarn – or better yet, if you like many good yarns – sit back and let George Miller spin you one.
Like the characters on screen in this steamy movie, the film itself is playing a game of seduction and repulsion.
Sylvester Stallone is having a bad week. He needed a win and this isn’t going to be it.
Idris Elba’s new movie is promising one very specific thing and on that it pretty much delivers.
In a ranking of Hemsworth brothers, Luke is the unfairly overlooked big brother. That should change.
Don’t let a simple summary of a sex worker movie fool you – this film is deeply erotic in the best way.
It entertains and bewitches in more ways than one, and it will also make you confront your own complicity.
Her videos clocked in more than 100 million views during lockdown and now this raw documentary reveals the hard journey behind the scenes.
It would’ve been so easy for Hollywood to swoop in and overdramatise an extraordinary true story.
Cruising on Brad Pitt’s charisma and starpower, Bullet Train should’ve been a tighter, better movie.
Starring Jessica Chastain and Ralph Fiennes, The Forgiven contrasts a desert bacchanal with an ethical dilemma.
Fans of detective fiction will find it hard to look past this playful homage.
It cost more than a pretty penny to make and stars some of the biggest names in the business, but that doesn’t mean it has anything to say.
Sure to leave a lasting, terrifying impression, the new horror movie will make you afraid of the sound of a ringing phone.
Based on an enormously beloved and best-selling book, the hype and expectations around it was high. It doesn’t clear the bar.
It may have a predictable plot but it also has the power to move you on something you had already made your mind up about.
Its predecessor was a riotous, laughs-a-plenty success. This follow-up? About half as much. Bummer.
Ali & Ava is far from the kind of glossy, attractive Hollywood romance the studios usually pump out.
It may be set in the softly lit beauty of a designer atelier, but the real richness of Paris is woven throughout Haute Couture.
When it comes to the title of the movie, it lives up to the promise. As for the rest, that’s a different story.
It’s loud, exhausting and aggravating, but it’s also sometimes pure brilliance and mastery. What a mess of contradictions.
There’s body horror and then there’s Men, a visceral and challenging movie which will make your intestines dance.
What could’ve been a bold and trippy work of cinema is instead a mediocre, made-for-streaming movie that watches more like an episode of TV.
An old-fashioned action-adventure with derring-do sounds perfect right about now.
The off-screen dramas that have plagued this excellent new movie are just as thorny and complex as the on-screen ones.
The latest instalment in a blockbuster franchise is aggressively … fine. While it has some nostalgia-fuelled moments, ultimately it’s forgettable.
With almost nothing to redeem it, this Netflix movie starring Elsa Pataky and produced by Chris Hemsworth is truly one of the worst of the year.
Chris Hemsworth’s wife Elsa Pataky’s big new Netflix blockbuster Interceptor has been labelled a disaster by critics.
Famed for her positivity and strong public persona, Tayla Harris only breaks once on camera in the new documentary about her life.
There’s a certain audience who’s going to know exactly what this new movie is trying to get at.
Against all expectations, the 36-years-later sequel to Tom Cruise’s iconic 80s blockbuster really is that good.
Sometimes you don’t need a movie to dazzle and wow, sometimes you just want what it promised on the box.
Mark Wahlberg gained 14kg for the role and spent millions of his own money funding it, but was the effort worth it? No.
Leah Purcell recasts the western as a quintessentially Australian story, giving power to the least powerful.
Marvel movies tend to stick to the same formula – some quips and earnest hero exploits. This one is different.
You’ll be putting down the popcorn within minutes of the movie starting because food and The Northman don’t mix well.
Nicolas Cage has a reputation on-screen and off, but never before has one movie embodied his wild persona to this degree.
At a time when every movie seems to be a rehash of something else, an original and inventive new film really stands out.
It may be predictable but Sandra Bullock’s new movie is all about the journey and not the destination.
Starring Chris Pine and Thandiwe Newton, All the Old Knives is the kind of old-fashioned film they don’t make for cinemas anymore.
As the middle chapter in a five-movie franchise, Jude Law’s new movies suffers from an acute case of “What was the point?”.
It has a great cast and a renowned director but sometimes the right ingredients still come out as little more than sludge.
It has all the requisite amped-up car chases and explosion, but Michael Bay’s new movie is surprisingly nuanced at times.
If there’s one emotion we could all do with more of, it’s contentment. And new movie The Duke offers it in spades.
If the movie gods had any mercy, they would’ve killed off every character so they can never come back in a sequel.
Jim Carrey’s wild antics elevated the first movie but is it enough to save the sequel?
Original URL: https://www.news.com.au/entertainment/movies/movie-reviews/page/5