Austin Butler is ‘guy-candy’ in new bikie flick
Not since Brad Pitt slunk into view in Thelma & Louise has the camera loved anyone as much as Austin Butler, writes Leigh Paatsch.
Not since Brad Pitt slunk into view in Thelma & Louise has the camera loved anyone as much as Austin Butler, writes Leigh Paatsch.
Documentary reveals why the world bought into power, passion and political values of Midnight Oil, writes Leigh Paatsch.
Hit Man, starring Top Gun and Anyone But You’s Glen Powell, is on target to be one of the best movies of 2024, writes Leigh Paatsch.
Bickering-buddies bond saves fourth Bad Boys movie from wearing out its welcome, while a light comedy gets female friendship right, writes Leigh Paatsch.
The Garfield Movie attempts something new before losing its way, while JLo struggles with AI in sci-fi with more action than science, writes Leigh Paatsch.
REVIEW: Jennifer Lopez’s new Netflix movie Atlas is the latest in a long line of “confusing, boring, green-screen-laden messes” for the streamer.
It’s packed full of cameos from his celebrity pals. But Jerry Seinfeld’s ode to cereal still fails to snap, crackle and pop, writes Leigh Paatsch.
REVIEW: Jerry Seinfeld’s new Netflix film is chock-full of celebrity cameos – but it doesn’t amount to very much.
Anne Hathaway fits flawlessly with Nicholas Galitzine in a movie version which adds emotional depth to a winning story, writes Leigh Paatsch.
Despite spectacular stunts and romantic fireworks, the Aussie-filmed The Fall Guy is flawed, writes Leigh Paatsch.
Both a great sports movie and unconventionally riveting romantic drama, Challengers volleys the audience back and forth to reveal what is riding on a tennis match, writes Leigh Paatsch.
Lion and Slumdog Millionaire star Dev Patel’s performance in action flick Monkey Man will propel him towards bigger and better things, writes Leigh Paatsch.
From a family favourite to a MonsterVerse smash-’em-up spectacle, take a look at these top movies to keep you entertained this Easter long weekend.
Some lively language and shrewdly relevant commentary makes Wicked Little Letters quite a spicily satisfactory affair, writes Leigh Paatsch.
A performer of Sir Michael Caine’s elevated standing could not have landed upon a more apt – nor affecting – role with which to bid audiences farewell, writes Leigh Paatsch.
Not much happens in this new film, up for five Oscars – it’s what happens off-screen that will haunt you forever. WARNING: Spoilers.
The Zone of Interest is destined to be regarded as one of the most powerful, provocative and lastingly eloquent statements on the Holocaust to ever grace a cinema, writes Leigh Paatsch.
The first superhero movie of 2024 suffers from a lack of original ideas and an unrelenting lack of energy from the cast, writes Leigh Paatsch.
Eric Bana returns as federal cop Aaron Falk in the long-awaited sequel The Dry, Force of Nature, but the film is a far cry from the original hit, writes Leigh Paatsch.
Audiences may never get to see Henry Cavill play 007, but his take on a James Bond-ish spy in Argylle is a rollicking ride, writes Leigh Paatsch.
Enigmatic, confronting, touching, testing and sometimes even amusing, Anatomy of a Fall is the first great movie of 2024, writes Leigh Paatsch.
With Paul Giamatti at the peak of his oratory powers, The Holdovers is full of deep feeling, great humour and refreshing authenticity, writes Leigh Paatsch.
Thanks to brilliant performances from Adam Driver and Penelope Cruz, Michael Mann’s biopic of racing great Enzo Ferrari is a triumph both on and off the track.
Zac Efron’s new movie is making waves, described as a viewing experience that feels like “getting slammed with a metal folding chair over and over again”.
The brilliant and bizarre comedy-drama Poor Things is like nothing you have ever seen before and might well win Emma Stone another Best Actress Oscar
Previously secret data about the most popular shows and movies on Netflix has revealed two Aussie winners that the world was obsessed with.
Anyone who felt unexpectedly off the grid during the recent Optus outage will get some spooky flashbacks courtesy of Julia Roberts’ new thriller Leave the World Behind, writes Leigh Paatsch.
The original Hunger Games films made almost $3 billion at the global box office – eight years later, the franchise is back.
Pain Hustlers – starring Emily Blunt and Chris Evans – gets very unlikeable, very quickly, writes Leigh Paatsch. See why.
The immaculately designed The Killer is a compelling journey deep inside the head of its subject, writes Leigh Paatsch.
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