Jerry Seinfeld’s ‘lousy, empty’ Netflix movie
REVIEW: Jerry Seinfeld’s new Netflix film is chock-full of celebrity cameos – but it doesn’t amount to very much.
REVIEW: Jerry Seinfeld’s new Netflix film is chock-full of celebrity cameos – but it doesn’t amount to very much.
Anne Hathaway fits flawlessly with Nicholas Galitzine in a movie version which adds emotional depth to a winning story, writes Leigh Paatsch.
Despite spectacular stunts and romantic fireworks, the Aussie-filmed The Fall Guy is flawed, writes Leigh Paatsch.
Both a great sports movie and unconventionally riveting romantic drama, Challengers volleys the audience back and forth to reveal what is riding on a tennis match, writes Leigh Paatsch.
Lion and Slumdog Millionaire star Dev Patel’s performance in action flick Monkey Man will propel him towards bigger and better things, writes Leigh Paatsch.
From a family favourite to a MonsterVerse smash-’em-up spectacle, take a look at these top movies to keep you entertained this Easter long weekend.
Some lively language and shrewdly relevant commentary makes Wicked Little Letters quite a spicily satisfactory affair, writes Leigh Paatsch.
A performer of Sir Michael Caine’s elevated standing could not have landed upon a more apt – nor affecting – role with which to bid audiences farewell, writes Leigh Paatsch.
Not much happens in this new film, up for five Oscars – it’s what happens off-screen that will haunt you forever. WARNING: Spoilers.
The Zone of Interest is destined to be regarded as one of the most powerful, provocative and lastingly eloquent statements on the Holocaust to ever grace a cinema, writes Leigh Paatsch.
The first superhero movie of 2024 suffers from a lack of original ideas and an unrelenting lack of energy from the cast, writes Leigh Paatsch.
Eric Bana returns as federal cop Aaron Falk in the long-awaited sequel The Dry, Force of Nature, but the film is a far cry from the original hit, writes Leigh Paatsch.
Audiences may never get to see Henry Cavill play 007, but his take on a James Bond-ish spy in Argylle is a rollicking ride, writes Leigh Paatsch.
Enigmatic, confronting, touching, testing and sometimes even amusing, Anatomy of a Fall is the first great movie of 2024, writes Leigh Paatsch.
With Paul Giamatti at the peak of his oratory powers, The Holdovers is full of deep feeling, great humour and refreshing authenticity, writes Leigh Paatsch.
Thanks to brilliant performances from Adam Driver and Penelope Cruz, Michael Mann’s biopic of racing great Enzo Ferrari is a triumph both on and off the track.
Zac Efron’s new movie is making waves, described as a viewing experience that feels like “getting slammed with a metal folding chair over and over again”.
The brilliant and bizarre comedy-drama Poor Things is like nothing you have ever seen before and might well win Emma Stone another Best Actress Oscar
Previously secret data about the most popular shows and movies on Netflix has revealed two Aussie winners that the world was obsessed with.
Anyone who felt unexpectedly off the grid during the recent Optus outage will get some spooky flashbacks courtesy of Julia Roberts’ new thriller Leave the World Behind, writes Leigh Paatsch.
The original Hunger Games films made almost $3 billion at the global box office – eight years later, the franchise is back.
Pain Hustlers – starring Emily Blunt and Chris Evans – gets very unlikeable, very quickly, writes Leigh Paatsch. See why.
The immaculately designed The Killer is a compelling journey deep inside the head of its subject, writes Leigh Paatsch.
The Exorcist was one of the scariest mainstream motion pictures of all time. With this new sequel, you will have no choice but to listen, and no choice but to be scared, writes Leigh Paatsch.
The Creator will come to be regarded by most sci-fi enthusiasts as an honourably flawed, yet a totally admirable movie experience, writes Leigh Paatsch.
Liam Neeson redeems himself admirably with his latest 70-year-old-bloke-about-to-snap opus, writes Leigh Paatsch.
Kenneth Branagh is back as famous detective Hercule Poirot and the mysteries are twistier than ever, writes Leigh Paatsch.
Denzel Washington knocks it out of the park with a riveting performance in The Equalizer 3, writes Leigh Paatsch.
The world didn’t need another Teenage Mutant Ninja Turtle movie, but Leigh Paatsch explains why long-time fan Seth Rogen’s reboot is the best yet.
It was made with a fraction of the budget, but a Korean romance could spoil the party for the mighty Oppenheimer during the coming awards season, writes Leigh Paatsch.
A new movie featuring antics of badly-behaved dogs starts stronger than any screen comedy I can recall in the past five years, writes Leigh Paatsch.
While it surges at the box office, Barbie has inspired a similar surge of hate from men who simply don’t understand it.
The film of the year is being slammed as “divisive” and “sexist towards men”, with Ben Shapiro leading the charge.
The most highly-anticipated movie of the year is released in Australia on Thursday, so we’ll finally get to know whether or not it’s worth all the buzz.
It’s hard to keep a horror franchise down, and the long-running Insidious comes back from the dead with The Red Door.
With mind-boggling stunts and awe-inspiring action, Leigh Paatsch looks at whether the latest installment of Mission: Impossible franchise will appease its loyal fanbase.
The punches don’t always land, but Indiana Jones and the Dial of Destiny gets the whipcracking archaeologist’s last ride right by letting Harrison Ford act his age, writes Leigh Paatsch.
The Save Hakeem story has everything – the interplay between money, politics and sport, and a young man at the centre of the maelstrom.
Jennifer Lawrence shows surprising comic timing and a willingness to throw herself ‘under the bus’ in No Hard Feelings, writes Leigh Paatsch.
It might a gross-out comedy but No Hard Feelings is stealthily emotional and answers the question of what is Jennifer Lawrence doing here.
Despite a bonkers collection of cameos, The Flash movie is overconfident, writes Leigh Paatsch. Read full review.
Pixar knows exactly which buttons to push to evoke the most emotional reaction in its audiences.
It’s been 31 years in the making, and we thought it was never going to happen. But it has, and it’s genuinely exciting.
Filmmaker Mia Hansen-Love has often excelled at telling a humanist story, and One Fine Morning is one of her most nuanced.
Into the Spider-Verse laid claim to being one of the best animated movies ever and kicked off the multiverse craze. Its sequel goes even further.
He said he invented a popular snack but the official record suggests otherwise. But that doesn’t change its thematic ambitions.
There are some characters who just make for easy villains in a movie. Bank of Dave capitalises on the stereotype to dial up the tension.
Spider-Man: Across the Spider-Verse does not compromise or dilute its soul. It leans full-tilt into its zaniness.
Guts gush with wild abandon while blood splatters with great enthusiasm. If you don’t have the constitution for such things, you may want to avoid.
The Little Mermaid remake knows how beloved the original 1989 animation is. Perhaps it should’ve tried to forget.
Normally the lead carries the movie but when it comes to Fast X, it’s the one character you never want to spend time with.
Simon Baker is definitely in the middle of a creative renaissance and his latest film is a stunningly photographed and raw outback noir.
Michael J. Fox has been in the public eye since he was a teenager, but there’s a still lot to be gleaned in this revealing documentary.
When you have four enormously talented actors, don’t trap them in a tired script with no life.
Jon Hamm gave back 60 per cent of his pay so his new movie could pay for three more days of filming. Now that’s a passion project.
Superhero movie fatigue may well have set in, but the Guardians sequel will make you forget you were over them.
Disney live action remakes have more miss than hit, but this Peter Pan adaptation is actually smart and whimsical with a seam of melancholy.
A high-octane rom-com-spy-adventure should be propulsive and fun, not just “kind-of-OK, sometimes”.
Florence Pugh saves A Good Person from being too much of a worthy, exhausting addiction movie.
This epic, bewildering odyssey will make you question whether you need to understand a movie to get its value.
If you want a chaotic, heightened heist movie brimming with hijinks, shenanigans and antics, The Innocent is your jam.
A movie that’s marketed as a lighthearted comedic caper turns out to be surprisingly gory and viscerally violent.
Once a superstar in movies such as Rush Hour, Friday and The Fifth Element, Chris Tucker hasn’t been on screen in seven years.
If you thought Chris Pratt’s voice performance was going to be the weak link, you might be surprised to discover there’s a lot of competition.
It may be called Murder Mystery 2 but the most surprising thing about this whodunit is you’re not going to care who did it.
Whether we’ve been naughty or nice, we always deserve Chris Pine and his megawatt charisma.
Australian coming-of-age movie will evoke cherished memories of moments past as it tells its delicate tale of discovery.
He may be best known as Billy Mack in Love Actually but his new movie showcases the absolute emotional depths he can evoke.
Casting acting luminaries should be a coup, but sometimes it only reminds the audience that they deserve better than this cacophonous carnival.
When the director has been responsible for some icky punch-down comedies, this compassionate approach is very welcome.
Almost every movie is better in a cinema, but the Luther sequel plays better in the intimacy of your own home.
Adam Driver’s new movie is a taut and muscular action thriller with a very honest twist it doesn’t try to hide.
If you don’t want to be having nightmares for a week, you’ll be relieved to hear the latest Scream movie is harmless fun.
It has all the ingredients of a prestigious drama, so why is it so forgettable?
Sylvester Stallone has been in eight Rocky movies but he’s nowhere to be seen in this ninth instalment.
Poignant and languid, the slow-burn drama is burrow into your mind and your heart.
Sometimes a movie knows it’s dumb and fun and fully leans into all that deranged goodness.
It may be unshowy and features nothing more than people talking a lot, but this gripping film will command all your attention.
Once a respite from the excesses of the Marvel Cinematic Universe, Ant-Man’s goofiness is sacrificed to the blockbuster machine.
There were high expectations for Hugh Jackman’s new movie and while he’s very good, the film really isn’t.
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