So-so spookfest: One for hardcore horror fans only
It’s hard to keep a horror franchise down, and the long-running Insidious comes back from the dead with The Red Door.
It’s hard to keep a horror franchise down, and the long-running Insidious comes back from the dead with The Red Door.
With mind-boggling stunts and awe-inspiring action, Leigh Paatsch looks at whether the latest installment of Mission: Impossible franchise will appease its loyal fanbase.
The punches don’t always land, but Indiana Jones and the Dial of Destiny gets the whipcracking archaeologist’s last ride right by letting Harrison Ford act his age, writes Leigh Paatsch.
The Save Hakeem story has everything – the interplay between money, politics and sport, and a young man at the centre of the maelstrom.
Jennifer Lawrence shows surprising comic timing and a willingness to throw herself ‘under the bus’ in No Hard Feelings, writes Leigh Paatsch.
It might a gross-out comedy but No Hard Feelings is stealthily emotional and answers the question of what is Jennifer Lawrence doing here.
Despite a bonkers collection of cameos, The Flash movie is overconfident, writes Leigh Paatsch. Read full review.
Pixar knows exactly which buttons to push to evoke the most emotional reaction in its audiences.
It’s been 31 years in the making, and we thought it was never going to happen. But it has, and it’s genuinely exciting.
Filmmaker Mia Hansen-Love has often excelled at telling a humanist story, and One Fine Morning is one of her most nuanced.
Into the Spider-Verse laid claim to being one of the best animated movies ever and kicked off the multiverse craze. Its sequel goes even further.
He said he invented a popular snack but the official record suggests otherwise. But that doesn’t change its thematic ambitions.
There are some characters who just make for easy villains in a movie. Bank of Dave capitalises on the stereotype to dial up the tension.
Spider-Man: Across the Spider-Verse does not compromise or dilute its soul. It leans full-tilt into its zaniness.
Guts gush with wild abandon while blood splatters with great enthusiasm. If you don’t have the constitution for such things, you may want to avoid.
The Little Mermaid remake knows how beloved the original 1989 animation is. Perhaps it should’ve tried to forget.
Normally the lead carries the movie but when it comes to Fast X, it’s the one character you never want to spend time with.
Simon Baker is definitely in the middle of a creative renaissance and his latest film is a stunningly photographed and raw outback noir.
Michael J. Fox has been in the public eye since he was a teenager, but there’s a still lot to be gleaned in this revealing documentary.
When you have four enormously talented actors, don’t trap them in a tired script with no life.
Jon Hamm gave back 60 per cent of his pay so his new movie could pay for three more days of filming. Now that’s a passion project.
Superhero movie fatigue may well have set in, but the Guardians sequel will make you forget you were over them.
Disney live action remakes have more miss than hit, but this Peter Pan adaptation is actually smart and whimsical with a seam of melancholy.
A high-octane rom-com-spy-adventure should be propulsive and fun, not just “kind-of-OK, sometimes”.
Florence Pugh saves A Good Person from being too much of a worthy, exhausting addiction movie.
This epic, bewildering odyssey will make you question whether you need to understand a movie to get its value.
If you want a chaotic, heightened heist movie brimming with hijinks, shenanigans and antics, The Innocent is your jam.
A movie that’s marketed as a lighthearted comedic caper turns out to be surprisingly gory and viscerally violent.
Once a superstar in movies such as Rush Hour, Friday and The Fifth Element, Chris Tucker hasn’t been on screen in seven years.
If you thought Chris Pratt’s voice performance was going to be the weak link, you might be surprised to discover there’s a lot of competition.
It may be called Murder Mystery 2 but the most surprising thing about this whodunit is you’re not going to care who did it.
Whether we’ve been naughty or nice, we always deserve Chris Pine and his megawatt charisma.
Australian coming-of-age movie will evoke cherished memories of moments past as it tells its delicate tale of discovery.
He may be best known as Billy Mack in Love Actually but his new movie showcases the absolute emotional depths he can evoke.
Casting acting luminaries should be a coup, but sometimes it only reminds the audience that they deserve better than this cacophonous carnival.
When the director has been responsible for some icky punch-down comedies, this compassionate approach is very welcome.
Almost every movie is better in a cinema, but the Luther sequel plays better in the intimacy of your own home.
Adam Driver’s new movie is a taut and muscular action thriller with a very honest twist it doesn’t try to hide.
If you don’t want to be having nightmares for a week, you’ll be relieved to hear the latest Scream movie is harmless fun.
It has all the ingredients of a prestigious drama, so why is it so forgettable?
Sylvester Stallone has been in eight Rocky movies but he’s nowhere to be seen in this ninth instalment.
Poignant and languid, the slow-burn drama is burrow into your mind and your heart.
Sometimes a movie knows it’s dumb and fun and fully leans into all that deranged goodness.
It may be unshowy and features nothing more than people talking a lot, but this gripping film will command all your attention.
Once a respite from the excesses of the Marvel Cinematic Universe, Ant-Man’s goofiness is sacrificed to the blockbuster machine.
There were high expectations for Hugh Jackman’s new movie and while he’s very good, the film really isn’t.
There are some pretty clear expectations of a Magic Mike movie and if you’re going to subvert them, you better bring it.
It’s been hailed as Brendan Fraser’s comeback and earned him an Oscar nom – but this movie doesn’t do enough justice to his talent.
You might think you already know the Jessica Watson story, but there’s something about how it hits at this moment in time.
What’s Love Got to Do With It has a predictable ending so it’s a good thing it’s all about the journey.
Polished, fascinating and accomplished, Cate Blanchett’s film would be a masterpiece if it only had to be an intellectual exercise.
If you thought you had this movie pegged from the trailer, you haven’t seen anything yet.
There’s little we really know about literary hero Emily Bronte and how she came to write one of history’s great love affairs.
Steven Spielberg has told many stories in his decades-long career, but none like this before.
Tom Hanks may scowl his way through most of the movie but he proves the old adage of people need people.
Even William Shakespeare would be able to appreciate the irony to how the off-screen drama is playing out.
Triangle of Sadness features the wildest scene you’ll see on a screen this year – one where pandemonium and vomit reigns.
Darkly funny and sometimes deeply grim, The Banshees of Inisherin proves again the alchemical mix of Colin Farrell and Martin McDonagh.
Thirteen years in the making and with outsized expectations, James Cameron’s epic follow-up misses the fundamentals of storytelling.
It’s fun and dynamic but the latest adaptation of Matilda lacks the bite of Roald Dahl’s book.
This was meant to be Will Smith’s next big Oscars shot but the movie itself isn’t even good enough to be a real contender.
Pulsing with passion and desire, Lady Chatterley’s Lover may even make you blush.
Most Christmas movies are interchangeable but this one benefits from the charm of its likeable leads.
It culminates in a eye-popping sequence you can’t quite believe, but there’s still something missing.
Timothee Chalamet reunites with Luca Guadagnino in a new movie. But can you stomach the cannibalism aspect?
It almost never happens. Here is a follow-up movie that is as flawless as the original. What the what?
A sequel to a popular Disney hit has some charms and delights, but also some disappointments.
A film that is at times enraging and terrifying and at times heartbreaking and gripping, it’s a worthy drama of the Weinstein investigation.
This isn’t the anticipated comeback Lindsay Lohan would have wanted. Her Netflix movie is witless and tired.
How do you move on from a visceral loss and do it with feeling and nuance in an action blockbuster? It’s not easy.
With a charismatic lead and a compelling plot, Netflix’s sequel to Enola Holmes is likeable, sassy and fun.
Filmmakers have a tendency to varnish their childhood memories with a rose tint. Not this one.
If there’s one thing you should know about Florence Pugh, it’s that she really is that good.
Sometimes you just want something to make you feel comfortable and safe.
Don’t slink into a deserted 10am Tuesday session for this laugh-out-loud comedy.
There’s no benefit to denying that there are aspects about humanity that are dark and disturbing.
The Rock is one hell of a charismatic guy. Well, usually. So what happened to drain him of every ounce of charm?
Sometimes you know exactly the right person has been chosen to play a certain role. This is one of those moments.
Even the greatest love story of all time can get an update, and this breezy new movie does it with a fun twist.
After 13 movies, the Halloween franchise is at an end. Did it go out on a high? No, it did not.
Original URL: https://www.news.com.au/entertainment/movies/movie-reviews/page/3