The only reason to see glitzy new movie
There’s only one reason to buy a ticket to George Clooney and Julia Roberts’ new movie. Well, technically, there are two.
There’s only one reason to buy a ticket to George Clooney and Julia Roberts’ new movie. Well, technically, there are two.
Some stories understand there’s more power in what’s not said than shouting about everything all the time.
Tom Hanks might be the nicest man in Hollywood but that decency sometimes translates to a one-dimensional performance.
It’s inevitably already in the Netflix top 10 after less than a day but don’t let that fool you into thinking it’s any good.
If you love a good yarn – or better yet, if you like many good yarns – sit back and let George Miller spin you one.
Like the characters on screen in this steamy movie, the film itself is playing a game of seduction and repulsion.
Sylvester Stallone is having a bad week. He needed a win and this isn’t going to be it.
Idris Elba’s new movie is promising one very specific thing and on that it pretty much delivers.
In a ranking of Hemsworth brothers, Luke is the unfairly overlooked big brother. That should change.
Don’t let a simple summary of a sex worker movie fool you – this film is deeply erotic in the best way.
It entertains and bewitches in more ways than one, and it will also make you confront your own complicity.
Her videos clocked in more than 100 million views during lockdown and now this raw documentary reveals the hard journey behind the scenes.
It would’ve been so easy for Hollywood to swoop in and overdramatise an extraordinary true story.
Cruising on Brad Pitt’s charisma and starpower, Bullet Train should’ve been a tighter, better movie.
Starring Jessica Chastain and Ralph Fiennes, The Forgiven contrasts a desert bacchanal with an ethical dilemma.
Fans of detective fiction will find it hard to look past this playful homage.
It cost more than a pretty penny to make and stars some of the biggest names in the business, but that doesn’t mean it has anything to say.
Sure to leave a lasting, terrifying impression, the new horror movie will make you afraid of the sound of a ringing phone.
Based on an enormously beloved and best-selling book, the hype and expectations around it was high. It doesn’t clear the bar.
It may have a predictable plot but it also has the power to move you on something you had already made your mind up about.
Its predecessor was a riotous, laughs-a-plenty success. This follow-up? About half as much. Bummer.
Ali & Ava is far from the kind of glossy, attractive Hollywood romance the studios usually pump out.
It may be set in the softly lit beauty of a designer atelier, but the real richness of Paris is woven throughout Haute Couture.
When it comes to the title of the movie, it lives up to the promise. As for the rest, that’s a different story.
It’s loud, exhausting and aggravating, but it’s also sometimes pure brilliance and mastery. What a mess of contradictions.
There’s body horror and then there’s Men, a visceral and challenging movie which will make your intestines dance.
What could’ve been a bold and trippy work of cinema is instead a mediocre, made-for-streaming movie that watches more like an episode of TV.
An old-fashioned action-adventure with derring-do sounds perfect right about now.
The off-screen dramas that have plagued this excellent new movie are just as thorny and complex as the on-screen ones.
The latest instalment in a blockbuster franchise is aggressively … fine. While it has some nostalgia-fuelled moments, ultimately it’s forgettable.
With almost nothing to redeem it, this Netflix movie starring Elsa Pataky and produced by Chris Hemsworth is truly one of the worst of the year.
Chris Hemsworth’s wife Elsa Pataky’s big new Netflix blockbuster Interceptor has been labelled a disaster by critics.
Famed for her positivity and strong public persona, Tayla Harris only breaks once on camera in the new documentary about her life.
There’s a certain audience who’s going to know exactly what this new movie is trying to get at.
Against all expectations, the 36-years-later sequel to Tom Cruise’s iconic 80s blockbuster really is that good.
Sometimes you don’t need a movie to dazzle and wow, sometimes you just want what it promised on the box.
Mark Wahlberg gained 14kg for the role and spent millions of his own money funding it, but was the effort worth it? No.
Leah Purcell recasts the western as a quintessentially Australian story, giving power to the least powerful.
Marvel movies tend to stick to the same formula – some quips and earnest hero exploits. This one is different.
You’ll be putting down the popcorn within minutes of the movie starting because food and The Northman don’t mix well.
Nicolas Cage has a reputation on-screen and off, but never before has one movie embodied his wild persona to this degree.
At a time when every movie seems to be a rehash of something else, an original and inventive new film really stands out.
It may be predictable but Sandra Bullock’s new movie is all about the journey and not the destination.
Starring Chris Pine and Thandiwe Newton, All the Old Knives is the kind of old-fashioned film they don’t make for cinemas anymore.
As the middle chapter in a five-movie franchise, Jude Law’s new movies suffers from an acute case of “What was the point?”.
It has a great cast and a renowned director but sometimes the right ingredients still come out as little more than sludge.
It has all the requisite amped-up car chases and explosion, but Michael Bay’s new movie is surprisingly nuanced at times.
If there’s one emotion we could all do with more of, it’s contentment. And new movie The Duke offers it in spades.
If the movie gods had any mercy, they would’ve killed off every character so they can never come back in a sequel.
Jim Carrey’s wild antics elevated the first movie but is it enough to save the sequel?
Flee is an emotionally effective coming-of-age documentary. No wonder it’s been nominated for three Oscars.
Not even the combined starpower and charisma of Tom Holland and Mark Wahlberg can save this adaptation.
If you ever needed proof that movies don’t need to drag out for forever, this paranoid thriller is it.
Even its A-list cast couldn’t save this long-delayed adaptation from falling over itself.
It’s storming the awards circuit and you can see why this deeply personal film is winning fans.
Whenever most Australians hear stories from this rich community, it’s often filtered through negative headlines. This new movie seeks to change that.
She was once hailed as the voice of her generation – so how did this star’s very racy new film go so wrong?
With a glittering cast that includes Cate Blanchett and Bradley Cooper, Nightmare Alley finds the monstrous in humanity.
If you think Spencer is going to be a conventional biopic, you’d be dead wrong.
Will Smith is a leading contender to win his first Oscar in a role for which he changed his physicality, voice and vibe.
Known as much for its meta in-jokes about horror movies than its bloodspill, Scream is back for the first time in a decade.
Given its ambitions, the odds against Spider-Man: No Way Home were high. Somehow, despite those odds, the film pulled it off.
Remember to have a hearty meal before you sit down for this movie. Otherwise hunger pangs will hit you within minutes.
There’s an overriding theme to Wes Anderson’s movies that goes beyond his meticulous style. It’s his love for oddballs.
Adapted from an award-winning stage production, something went fundamentally wrong.
The Card Counter can present as almost cold or perfunctory but it’s asking deep questions about the nature of punishment.
If you’ve never seen or heard Stephanie Beatriz outside of Brooklyn Nine-Nine, you may struggle to recognise her voice.
When the anticipation is feverish, it sets up movies to disappoint and fail. This long-awaited movie smashes those expectations.
You will find yourself in tears multiple times, but most of the emotional reactions will be driven by a palpable rage.
Aubrey Plaza and Michael Caine are doing just enough in their lightweight and predictable new movie.
The Venom sequel should be wild and chaotic but is oddly toned down, but at least the character banter is fun.
At a festival screening, 13 people fainted in their seats, but is the provocative body horror film all that repulsive?
Andrew Garfield stretches his vocal chords in a musical film about the cruelty and joy of time.
An emotional movie that would’ve been much better if it did about 60 per cent less.
Like a mesmerising drug, Anya Taylor-Joy’s new movie seduces you and then abandons you in its hallucinogenic horrors.
Marvel’s latest film had an almost insurmountable task ahead of it, which is maybe why it feels like it’s more parts than sum.
There’s no need to use your brain at all in Netflix’s starry action blockbuster which may as well be subtitled, “heist movie for dummies”.
If there’s one thing that’s marked Daniel Craig’s Bond movies is that it’s been inconsistent. The final one may be the most of all.
Benedict Cumberbatch is already in the Oscar conversation for his performance in Jane Campion’s first film in more than a decade.
A spin-off from a popular Netflix movie, the heist caper’s great strength also exposed its most glaring weakness.
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