Here is a night of opera like you’ve never seen before.
Opera Australia’s production of Georges Bizet’s Carmen has revolutionised the chestnut’s setting on a couple of levels. First, director Liesel Badorrek has taken the action out of Spain and placed it in what she calls “an aesthetic of rebellion”, by which she means rock’n’roll.
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Michael Bailey writes on arts and culture, and edits Weekend Fin. He is a former editor of the Financial Review Rich List. He is based in Sydney. Connect with Michael on Twitter. Email Michael at m.bailey@nine.com.au
![“We’re having a birthday party for [daughter] Rada in a few weeks and we’re going to get the truck to come, which is a real flex,” O’Neill says.](https://static.ffx.io/images/$zoom_0.7012%2C$multiply_2%2C$ratio_1.777778%2C$width_1059%2C$x_732%2C$y_641/t_crop_custom/c_scale%2Cw_600%2Cq_52%2Cf_auto/b5e4395344f07ccd1e3a348af02af77c8eeb8d1b)
