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Review

May

Tim Draxl and Sarah Brightman in the ill-fated Opera Australia/GWB co-production of Andrew Lloyd-Webber’s Sunset Boulevard.

Disastrous bet sends Opera Australia to $10m loss

The country’s largest performing arts company came a cropper on Sunset Boulevard, but says it will be back in the black by 2026.

March

Bobby Fox, Angelina Thomson, Annie Aitken, Cody Simpson and that giant taxi star in Guys & Dolls for the 2025 edition of Handa Opera On Sydney Harbour.

How to direct a musical on a ‘football field’

There’s a lot riding on Opera Australia’s annual outdoor production but Shaun Rennie is more worried about actors getting to their marks, and nothing getting blown into Sydney Harbour.

September 2024

Emily Edmonds will play Cinderella, which is coming to Opera Australia’s 2025 season at Sydney Opera House after runs in New York and Covent Garden.

Awkward season launch for Opera Australia as musicals muscle in

A record four musicals are programmed for OA’s 2025 season, highlighting tensions between art and commerce that saw artistic director Jo Davies leave in August.

March 2024

West Side Story presented by Handa Opera on Sydney Harbour.

West Side Story makes a splash on Sydney Harbour

The new production proves Leonard Bernstein’s doubts over his legendary musical were misplaced.

February 2024

The Nightingale & Other Fables, directed by Robert Lepage.

This opera turns the orchestra pit into a lake

Robert Lepage’s production of Stravinsky’s “Nightingale” for Adelaide Festival throws the singers into the deep end, literally.

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October 2023

Sarah Brightman will star in Opera Australia’s world premiere of Sunset Boulevarde, written by her former husband Andrew Lloyd-Webber.

Sarah Brightman’s first musical in 30 years an Opera Australia coup

Phantom of the Opera legend stars in world premiere of a new production of Sunset Boulevard, highlighting OA season that leans heavily into female and local talent.

July 2023

Ben Mingay in Sweeney Todd at Sydney Opera House, July 2023

After Sweeney Todd, you’ll never look at pies or barbers the same way

If your impression of musical theatre is of a choreographed sugar hit, prepare to be shocked by this production of Stephen Sondheim’s cut-throat classic.

November 2022

Carmen Topicu sings the title role of Carmen on Cockatoo Island (she rotates nightly with Sian Sharp).

Carmen on Cockatoo Island review: spectacle amid the seagulls

This Carmen shakes up the traditional format, but retains plenty for the purists and the tourists.

October 2022

Maltese tenor Joseph Calleja

Joseph Calleja review: The Maltese tenor earns Pavarotti comparisons

The lyric tenor was accompanied by other formidable talent in soprano Amelia Farrugia and globally renowned Australian pianist Piers Lane at a Sydney recital on Monday.

May 2022

Ferruccio Furlanetto as King Philip II in Opera Australia’s 2015 production of Don Carlos at the Sydney Opera House.

Opera star Ferruccio Furlanetto on how Herbert von Karajan made him

The celebrated Italian bass has sung with everyone from Pavarotti and Sutherland, but it is a brush with the Berlin Philharmonic’s legendary conductor he cherishes most.

German tenor Jonas Kaufmann.

World’s best tenor brings note of perfection to Melbourne

Operatic rock star Jonas Kaufmann will play the ‘knight in shining armour’ of Richard Wagner’s Lohengrin, whose theme of idealism is apt in the week before the federal election.

April 2022

Amid a protracted goodbye worthy of Nellie Melba - he will leave Opera Australia at the end of 2023 - artistic director Lyndon Terracini has argued against changing classic operas for the sake of political correctness.

Opera chief stares down ‘yellowface’ controversy

Lyndon Terracini has defended the use of white singers to play Asian characters, and ruled out changing classic operas for the sake of political correctness.

January 2022

Lise Lindstrom plays Turandot in Opera Australia’s 2019 production.

Don’t tone down Turandot, says her greatest interpreter

The violence and misogyny in classic operas can help galvanise modern audiences to be more progressive, argues acclaimed soprano Lise Lindstrom.

January 2021

Opera is taking new forms, and its survival may depend on it

In the US opera companies are using unusual marketing tactics to keep subscribers happy and paying.

Original URL: https://www.afr.com/topic/opera-reviews-jp8