Transgender tale ‘bold and brave’
Through all the twists and turns of its narrative, one constant in Emma Batchelor’s debut novel is the phrase “I love you”.
Geordie Williamson
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Damaged women are dangerous
Joan burns the material rewards gained from selling her body like an old-fashioned millionaire who lights cigars with five-dollar bills.
Metaphysical true-crime caper at the heart of our soul
Sometimes a book arrives at a propitious moment, bringing news we need to hear. Return to Uluru is such a work.
Little magazine of big ideas ponders journey ahead
Meanjin has been an ‘archive and barometer of the development of a distinct antipodean culture’.
Why is Australia such an unsettling place?
Australians’ incuriousness, maintained so determinedly and for so long, suggests there are things about this land and our place in it that we have no wish to learn.
From the outsider looking in
Autobiography as a genre suffers from an underlying condition: the disease of vanity. Such is the trap Murray Bail finds himself in.
Sex, secrets and an erotic retelling
The most notorious erotic novel of the 20th century is no longer merely the effort of a woman in love to titillate her lover.
The most anticipated books of 2021
Whatever the shortcomings of forecasts such as this one, they do have one glory: they are concerned with stories as yet unread and so filled with infinite potential.
In case you missed it
Our chief literary critic picks the hidden gems of 2020 — you read it here first.
Best books: Beach reads and stocking fillers
From the Booker Prize winner to inspiring biographies and chilling crime novels, this list by our chief literary critic has you covered.
Original URL: https://www.theaustralian.com.au/author/geordie-williamson/page/3