Band that rocks the exchange
Iron Maiden has become a British business behemoth.
Iron Maiden has become a British business behemoth.
Sydney’s arts precinct, Carriageworks, has posted four successive deficits since registered as a charity in 2012.
Australian live music website Moshcam has completed a 15-month transformation to become a global music hub.
Never Be Like You, released in January, was Flume’s first No 1 on the ARIA singles chart.
For The Barber of Seville to work, the factotum-fixer Figaro has to own the stage from the moment he enters.
It’s fair to say that Stonefield is the best psychedelic, all-sibling rock band to come from the Macedon Ranges.
Peter Garrett brings drama, spectacle and a great white shark to his post-politics tunes.
Alberts’ demise means we’re losing a slice of Australian musical history.
Roberto Alagna’s career has scaled great heights, and some terrible lows, but the French tenor finds comfort in opera.
The will to shock has always been a stock-in-trade for this daring performer.
Sixto Rodriguez is a man of simple means, even if, at 73, he is reaping considerable financial rewards.
Australia’s oldest independent music company sold to multinational BMG for undisclosed sum after 131 years in industry.
Alberts, the Australian music company that launched the Easybeats, AC/DC and John Paul Young, has been sold to German giant BMG.
The Australian Ballet’s latest collaboration with Stanton Welch is audacious at every conceivable level.
Even the most densely textured woodwind passages benefited from the pristine acoustic, each instrument clearly audible.
The artistic director of Sydney’s piano competition is on a mission to find the instrument’s next global superstar.
Every track on Scot Kris Drever’s If Wishes Were Horses is a wee gem.
There are moments when, no matter how often you hear a song, the hairs on the back of your neck stand tall.
Imelda Marcos has a greater claim to fame than owning 3000 pairs of shoes: she changed rock music history.
Red Hot Chili Peppers bandmates survive the highs and lows of success.
Original URL: https://www.theaustralian.com.au/arts/music/page/191