The story rules
It’s the job of writers to ‘try on’ other identities.
It’s the job of writers to ‘try on’ other identities.
Ian Townsend’s new book is a gripping yarn of espionage and war.
The Australian /Vogel’s Literary Award, established in 1980, has an impressive honours board.
Many of the The Australian-Vogel Literary Award shortlisted manuscripts go on to be published as books.
How technology works, why it is fasciniating to Luddites, and how to lift your game in the privacy and security stakes.
How technology works, why it is fasciniating to Luddites, and how to lift your game in the privacy and security stakes.
It’s easy to forget how hard it was for women in the workplace in the 1970s. Dame Quentin Bryce remembers.
Heather Rose last night won the $50,000 Stella Prize for her novel The Museum of Modern Love.
Tasmanian writer wins the $50,000 prize for novel that uses a famous real artist to paint a portrait of love and loss.
In Protestants, Alex Ryrie writes with the affection of an insider and the judgment of a first-class historian.
The Starlings is a compelling piece of storytelling about a boy and his family in the context of sport and literature.
Ashley Hay renders the small details of an undramatic, decent life with tenderness that is touching and compelling.
Pablo Neruda’s ‘lost’ poems, scrawled on napkins and receipts, are worth the wait.
Utopias are all well in theory, it is said, but attempts to put them into practice are bound to end in disaster.
Fay Weldon’s Death of a She Devil is a defiant hurrah for grumpy old women.
From the Wreck is based on the 1859 loss of the steamship Admella off the coast of South Australia.
If you’ve enjoyed street food in the past 24 hours you’re in good company.
An erotic relationship reveals a darker, more terrifying side in Cate Shortland’s new film.
The piece of wood on which Jesus was crucified has become a mark of condemnation and salvation.
In the 19th century French craniologist Gustave Le Bon set out to explain the ‘inferiority of women’s intelligence’.
Original URL: https://www.theaustralian.com.au/arts/books/page/195