Katherine Brazenor thinks William Shakespeare would have appreciated the irony.
The barrister and her father, neurosurgeon Graeme Brazenor, have become production patrons for the Melbourne run of Bell Shakespeare’s new take on King Lear – meaning that a dad-and-daughter duo are financing the play with perhaps the deadliest filial relations ever seen on a stage.
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Michael Bailey writes on arts and culture, and edits Weekend Fin. He is a former editor of the Financial Review Rich List. He is based in Sydney. Connect with Michael on Twitter. Email Michael at m.bailey@nine.com.au
