Why Hugh Grant is the perfect storm of sinister and absurd
The tension levels in Heretic start out slightly north of uncomfortable and end somewhere just south of unbearable – thanks to an impeccably cast Hugh Grant, writes Leigh Paatsch.
The tension levels in Heretic start out slightly north of uncomfortable and end somewhere just south of unbearable – thanks to an impeccably cast Hugh Grant, writes Leigh Paatsch.
From vividly immersive world-building to an instantly investing tale, what Wicked does well, it does very impressively indeed – but it helps if you love movie musicals of all shapes and sizes, writes Leigh Paatsch.
Audiences have been baying for a sequel to Ridley Scott’s Oscar-winning sword and sandals classic for more than two decades – but is it worth the wait?
The extraordinary journey of Aussie tennis prodigy Jelena Dokic in suffering under and standing up to her tyrant coach father is as heartbreaking as it is inspiring, writes Leigh Paatsch.
Despicable Me 4 proves the adventures of Gru and his ever-expanding entourage won’t be getting old any time soon, writes Leigh Paatsch.
Hit Man, starring Top Gun and Anyone But You’s Glen Powell, is on target to be one of the best movies of 2024, writes Leigh Paatsch.
Bickering-buddies bond saves fourth Bad Boys movie from wearing out its welcome, while a light comedy gets female friendship right, writes Leigh Paatsch.
The Garfield Movie attempts something new before losing its way, while JLo struggles with AI in sci-fi with more action than science, writes Leigh Paatsch.
With a lot of crazy stunts and a miscast Chris Hemsworth, Furiosa is better than most action films but it can’t match the dizzy heights of its predecessor, writes Leigh Paatsch.
An all-ages audience with an original story is rare in this day and age, but the star-studded cast can’t save this well-intentioned flick, writes Leigh Paatsch.
It’s packed full of cameos from his celebrity pals. But Jerry Seinfeld’s ode to cereal still fails to snap, crackle and pop, writes Leigh Paatsch.
Anne Hathaway fits flawlessly with Nicholas Galitzine in a movie version which adds emotional depth to a winning story, writes Leigh Paatsch.
Despite spectacular stunts and romantic fireworks, the Aussie-filmed The Fall Guy is flawed, writes Leigh Paatsch.
Both a great sports movie and unconventionally riveting romantic drama, Challengers volleys the audience back and forth to reveal what is riding on a tennis match, writes Leigh Paatsch.
Original URL: https://www.ntnews.com.au/entertainment/movies/leigh-paatsch/page/4