Why A Complete Unknown is one of the past decade’s best biopics
Any doubts about Timothee Chalamet being one of the best actors of his generation should be laid to rest after his astonishing performance as Bob Dylan in A Complete Unknown.
Any doubts about Timothee Chalamet being one of the best actors of his generation should be laid to rest after his astonishing performance as Bob Dylan in A Complete Unknown.
There’s a good reason that the three-and-a-half-hour drama The Brutalist is favourite to win this year’s Best Picture Oscar – it’s like nothing you have seen before, writes Leigh Paatsch.
If you think a movie based on choosing a new pope sounds boring then think again – the gripping Conclave will keep you guessing and on the edge of your seat, writes Leigh Paatsch.
Showcasing an incredible new acting talent, ‘must-see’ Anora provokes genuine fascination and outright curiosity, writes Leigh Paatsch.
Audiences have been baying for a sequel to Ridley Scott’s Oscar-winning sword and sandals classic for more than two decades – but is it worth the wait?
The extraordinary journey of Aussie tennis prodigy Jelena Dokic in suffering under and standing up to her tyrant coach father is as heartbreaking as it is inspiring, writes Leigh Paatsch.
Saturday Night reveals the first steps leading to the giant strides of sketch show SNL, while the uneven Venom: Last Dance asks whether we needed a Venom saga at all. writes Leigh Paatsch.
Smile 2 finds searingly memorable and distinctly shocking ways to improve upon its macabrely malevolent predecessor, writes Leigh Paatsch.
While odd-couple crime comedy Brothers might have benefited from a leaner, meaner approach, it snaps into shape thanks to Josh Brolin and Peter Dinklage, writes Leigh Paatsch.
No movie could stand a chance of decoding the all-bamboozling enigma that is Donald Trump – but The Apprentice achieves some success, writes Leigh Paatsch.
Five years since promising there would be no sequel to The Joker, Todd Phillips has delivered one – and it comes as no surprise Joker: Folie a Deux is a folly and worse, writes Leigh Paatsch.
Look past that ungainly name and see something special in the warm and witty feel-good My Old Ass, writes Leigh Paatsch.
The engagingly entertaining The Wild Robot is in instant-classic territory, writes Leigh Paatsch.
Disturbing yet funny, you can’t tell whether Speak No Evil has been designed to charm you or choke you, writes Leigh Paatsch.
Original URL: https://www.ntnews.com.au/entertainment/movies/leigh-paatsch/page/2