‘Anything goes’: Huge moment in SNL history
Saturday Night reveals the first steps leading to the giant strides of sketch show SNL, while the uneven Venom: Last Dance asks whether we needed a Venom saga at all. writes Leigh Paatsch.
Saturday Night reveals the first steps leading to the giant strides of sketch show SNL, while the uneven Venom: Last Dance asks whether we needed a Venom saga at all. writes Leigh Paatsch.
Smile 2 finds searingly memorable and distinctly shocking ways to improve upon its macabrely malevolent predecessor, writes Leigh Paatsch.
While odd-couple crime comedy Brothers might have benefited from a leaner, meaner approach, it snaps into shape thanks to Josh Brolin and Peter Dinklage, writes Leigh Paatsch.
No movie could stand a chance of decoding the all-bamboozling enigma that is Donald Trump – but The Apprentice achieves some success, writes Leigh Paatsch.
Not since Brad Pitt slunk into view in Thelma & Louise has the camera loved anyone as much as Austin Butler, writes Leigh Paatsch.
Documentary reveals why the world bought into power, passion and political values of Midnight Oil, writes Leigh Paatsch.
Despicable Me 4 proves the adventures of Gru and his ever-expanding entourage won’t be getting old any time soon, writes Leigh Paatsch.
Hit Man, starring Top Gun and Anyone But You’s Glen Powell, is on target to be one of the best movies of 2024, writes Leigh Paatsch.
Bickering-buddies bond saves fourth Bad Boys movie from wearing out its welcome, while a light comedy gets female friendship right, writes Leigh Paatsch.
The Garfield Movie attempts something new before losing its way, while JLo struggles with AI in sci-fi with more action than science, writes Leigh Paatsch.
With a lot of crazy stunts and a miscast Chris Hemsworth, Furiosa is better than most action films but it can’t match the dizzy heights of its predecessor, writes Leigh Paatsch.
An all-ages audience with an original story is rare in this day and age, but the star-studded cast can’t save this well-intentioned flick, writes Leigh Paatsch.
It’s packed full of cameos from his celebrity pals. But Jerry Seinfeld’s ode to cereal still fails to snap, crackle and pop, writes Leigh Paatsch.
Anne Hathaway fits flawlessly with Nicholas Galitzine in a movie version which adds emotional depth to a winning story, writes Leigh Paatsch.
Original URL: https://www.ntnews.com.au/entertainment/movies/leigh-paatsch/page/3