Trashy fun in serial killer thriller
Josh Hartnett flips between goofy and sinister as a serial killer dad in Sixth Sense director M. Night Shyamalan’s latest trashy, twisty-turny thriller, Trap.
Josh Hartnett flips between goofy and sinister as a serial killer dad in Sixth Sense director M. Night Shyamalan’s latest trashy, twisty-turny thriller, Trap.
From a true-ish WWII tale turned into a fun action romp, to an inspirational sporting story and a gorgeous looking romance, Leigh Paatsch reviews top streaming movies.
While Fly Me To the Moon does not always take the most direct or smooth route, an excellent lead pairing of Scarlett Johansson and Channing Tatum never falters, writes Leigh Paatsch.
It may be a reboot of a ’90s classic, but Twisters’ weather at its worst owns every single centimetre of the big screen. There’s just one thing missing, writes Leigh Paatsch.
With an all-singing, all-dancing Timothee Chalamet – and a hilarious Hugh Grant – Wonka is not just a great movie, it could become a pop-culture phenomenon, writes Leigh Paatsch.
Director Bradley Cooper follows up A Star Is Born with another music-focused masterpiece but Carey Mulligan steals the show with the best acting of the year.
Apart from the brilliant battle scenes and a brave Vanessa Kirby, Ridley Scott’s long-awaited Napoleon biopic ends up as an overstuffed and disappointing mess, writes Leigh Paatsch.
Anyone who felt unexpectedly off the grid during the recent Optus outage will get some spooky flashbacks courtesy of Julia Roberts’ new thriller Leave the World Behind, writes Leigh Paatsch.
While The Marvels is not the “worst Marvel-made movie of all-time”, it does rank among the most disposable effort to carry the brand, writes Leigh Paatsch.
Pain Hustlers – starring Emily Blunt and Chris Evans – gets very unlikeable, very quickly, writes Leigh Paatsch. See why.
While the stakes are undoubtedly high in The Dive, the intensity levels delivered by this underwater thriller are lower than many will expect – and all the better for it, writes Leigh Paatsch.
The immaculately designed The Killer is a compelling journey deep inside the head of its subject, writes Leigh Paatsch.
A compromised Killers Of the Flower Moon is saved by the terrifying true story it is privileged to tell, writes Leigh Paatsch.
Expend4bles ain’t about to go messing with the winning, wincing formula of he-men, optional dialogue and high body count, writes Leigh Paatsch.
Original URL: https://www.ntnews.com.au/entertainment/movies/leigh-paatsch/page/6