Yesterday
No wonder Coppola had to pay for Megalopolis with his own money
This Roman orgy of a film, 40 years in the making, warns of end of days for America – but more likely just means the end of the director’s career.
- John McDonald
September
Margot Robbie’s ‘My Old Ass’ is a bummer
This lame coming-of-age story, produced by the megastar, is no Barbie. Meanwhile, 85-year-old Ian McKellen hams it up megalomaniacally in The Critic.
- John McDonald
Demi Moore gives performance of her life in shocking ‘The Substance’
There’s a self-referential note to the ’90s superstar’s role in Coralie Fargeat’s fable about ageism, making it doubly compelling.
- John McDonald
Art’s greatest couple get the biopic treatment
Pierre Bonnard, France’s most important 20th century artist after Matisse, painted wife Marthe hundreds of times. This film shows their deep and tumultuous bond.
- John McDonald
In Beetlejuice sequel, Michael Keaton looks the same 36 years on
The actor delivers a barnstorming performance as the fast-talking sleazebag demon in Tim Burton’s comedic vision of the Afterlife as a nightmarish bureaucracy.
- John McDonald
August
‘Kneecap’ and ‘Touch’: edgy Irish hip-hop and an Icelandic romance
The fictionalised biopic of a loud, incomprehensible band has a rough and ready quality, while a heart-warming drama somehow manages to keep the lid on the treacle jar
- John McDonald
Blink Twice film review – billionaires behaving badly
Zoe Kravitz’s directorial debut stars Channing Tatum as a tech bro with dark predilections.
- John McDonald
Alien: Romulus – this film floats like a giant piece of astro-junk
After seven chapters, the series has become utterly predictable, cluttered with the bodies of dead characters and fossilised storylines.
- John McDonald
Sleeping Dogs movie review: Russell Crowe in top form in this thriller
Crowe’s performance in the lead role reminds us what a fine actor he is in this slow-burner that occasionally erupts into violent action.
- John McDonald
Deadpool & Wolverine film review – on its way to cinematic immortality
This “action-comedy” has more blood-letting than any other superhero movie, but its “R” rating hasn’t stopped it making financial history.
- John McDonald
July
Movie reviews – Gothic Aussie Birdeater and old-school B flick MaXXXine
This dark, ugly chiller set in the bush is hard to fathom, but fiendishly dumb B-grader MaXXXine at least entertains.
- John McDonald
‘Fly Me To The Moon’ review: Johansson shines in space age romcom
Director Greg Berlanti’s would-be screwball comedy is not concerned with plausibility – he wants us to be seduced by the characters.
- John McDonald
This biker-gang film centres on an unusual ménage à trois
The Bikeriders is based on Danny Lyon’s book of the same name, originally published in 1968.
- John McDonald
Sexual pathologists would have plenty to say about this film
Director Yorgos Lanthimos has returned to his arthouse roots in Kinds of Kindnesses.
- John McDonald
June
A Silence movie review: a sex fiend’s lawyer seeks atonement
In Belgian director Joachim Lafosse’s film, a legal professional’s crimes catch up with him, plus we take a look at Australia’s Spanish Film Festival.
- John McDonald
The Sitting Duck movie review: A true story of a nuclear whistleblower
The role of Maureen Kearney is tailor-made for 71-year-old Isabelle Huppert, an actor with a unique ability to tell us everything we need to know, while giving nothing away.
- John McDonald
Finally, a documentary about Midnight Oil
Paul Clarke’s ‘The Hardest Line’ is largely a celebration of the Oils that never ventures a word of criticism.
- John McDonald
Swashbuckling Dumas classic a double dose of pure escapism
Director Martin Bourboulon has taken numerous liberties with Alexandre Dumas’ plot, but preserved its breathless sense of adventure.
- John McDonald
May
Movie review: High & Low – John Galliano is a breathless ride
This documentary tracks the rise and fall and rehabilitation of the acclaimed fashion designer, whose grotesque extravagance was no impediment to success.
- John McDonald
Movie review: Furiosa – drives hard but takes too many wrong turns
George Miller’s latest Mad Max film is bogged down by the gruesome particulars of his post-apocalyptic world – and Chris Hemsworth’s wooden acting.
- John McDonald