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Review

April

 Richard Roxburgh as journalist Peter Greste in The Correspondent.

Peter Greste’s biopic gets journalists like few others

The film captures the drama of the Al Jazeera correspondent’s arrest and imprisonment in Egypt, but is also unsparing about the stubbornness the profession can breed.

March

The famous “that’s not a knife, that’s a knife” scene from Crocodile Dundee.

How Crocodile Dundee became an icon, especially for its investors

A new documentary on Australia’s highest-grossing film lacks bite, but boasts interesting detail about the investors it enriched – including late wicketkeeper Rod Marsh.

Gal Gadot and Rachel Zegler in Disney’s Snow White.

Disney’s Snow White is not too woke – and it’s better than Wicked

This flashpoint of the culture wars avoids being the disaster many feared (or hoped for).

Spit by name...David Wenham is back as small-time Gold Coast crim Johnny Spiteri in Spit

Dodgy side of Gold Coast is back on screen in Spit

In this sequel to 2003’s Gettin’ Square, David Wenham revives his small-time crim Johnny Spiteri – the character who gifted cinema the thong chase.

February

“The realising of these characters and the dynamics between them, I just found so beautiful”, Guy Pearce has said of his new film, Inside.

This sensitive Aussie prison movie escapes the cliches

“Inside” stars Guy Pearce, who shows his inner mongrel in a tense, genre-defying local jail flick.

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Hugh Grant is at his rakish best opposite Renee Zellweger in Bridget Jones: Mad About the Boy.

Bridget Jones hits her 50s, and the franchise is back in form

The fourth movie about the serial singleton is easily the best, with Renee Zellweger now delightfully at ease with her character.

Steven Soderbergh’s “Presence”, featuring Callina Liang as Chloe, might be the first movie ever shot from a ghost’s point of view.

You don’t see ghosts, but what the ghost sees, in this thriller

Ever-inventive director Steven Soderbergh has turned the horror genre on its head in his new movie, ‘Presence’.

January

Nicole Kidman in Babygirl’s highly meme-able milk scene.

You’ll submit to Nicole Kidman in Babygirl

The 57-year-old has taken a risk on that rarest of things – a 21st century movie that unabashedly explores sex, and its power dynamics.

Elle Fanning and Timothée Chalamet in A Complete Unknown.

Bob Dylan’s an unlovable man making undeniable music in new biopic

The makers of A Complete Unknown gave up trying to make the singer-songwriter sympathetic, and let his music – and a bravura turn from Timothée Chalamet – provide the heart.

The children’s film Magic Beach has a calm and dreamy atmosphere and will spark imaginations just like the book does.

Magic Beach the movie is the opposite of Pixar and Disney

This film of the beloved book feels like an antidote to the hypercharged Hollywood animations that have come to dominate our children’s screens.

Paddington in Peru sends the much-loved bear home on a mission to find his missing aunt.

Paddington in Peru loses the magic of the first films

In this third instalment, the bear travels “home” – and the franchise’s feel-good, pro-immigration spirit vanishes.

December 2024

The cast of How to Make Gravy (from left):  Dan (Brenton Thwaites), Rita (Agathe Rousselle), Joe (Daniel Henshall),  Angus (Jonah Wren Phillips), Dolly (Izzy Westlake) and Frank (Rose Statham). 

Not enough tang in this Christmas gravy movie

The film version of Paul Kelly’s seasonal anthem, How to Make Gravy, has its moments but borrows too many ingredients from the very Australian genre of sozzled social realism.

November 2024

Hugh Grant stars as Mr Reed, who is no Daniel Cleaver, in Heretic.

Hugh Grant is a charming, bashful serial killer in Heretic

The English actor has come a long way from Bridget Jones in this preposterous, yet mostly fun horror film.

Paul Mescal plays Lucius in Gladiator II from Paramount Pictures.

Gladiator II is a dumber, prettier rerun of the original

Paul Mescal is no Russell Crowe, but to paraphrase old Maximus from the first Gladiator: you will still be entertained by its sequel.

October 2024

Venom, the wisecracking alien parasite, with whom Tom Hardy’s Eddie Brock is fused.

Final Venom film is trilogy’s least biting

The anti-hero of Spider-Man’s world is mostly just the enemy of entertainment in the $180 million-budget Venom: The Last Dance.

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Naomi Scott in “Smile 2”.

In ‘Smile 2’, a grin becomes a very bad thing

The “smile curse” from Parker Finn’s 2022 horror hit is going around again, this time in the hothouse world of a pop star.

Christopher Reeve in the 1978 film Superman.

When Superman became a real-life hero

A new documentary on Superman actor Christopher Reeve, who became a quadriplegic after a 1995 accident, packs an emotional punch.

Joaquin Phoenix and Lady Gaga in Joker: Folie A Deux.

Impractical Joker sequel will split the fans

Part musical, part prison saga, part courtroom drama, this ambitious follow-up to the 2019 hit about Batman’s nemesis may struggle to recoup its $300m budget.

Adam Driver stars in Megalopolis.

No wonder Coppola had to pay for Megalopolis with his own money

This Roman orgy of a film, 40 years in the making, warns of end of days for America – but more likely just means the end of the director’s career.

September 2024

Elliott (Maisy Stella) and Kath (Maria Dizzia) in My Old Ass, which was produced by Margot Robbie’s Luckychap Entertainment

Margot Robbie’s ‘My Old Ass’ is a bummer

This lame coming-of-age story, produced by the megastar, is no Barbie. Meanwhile, 85-year-old Ian McKellen hams it up megalomaniacally in The Critic.

Original URL: https://www.afr.com/topic/film-review-1ms9