‘We’re not Logos by the Sea’: How to make arts sponsorships work
Transfield’s exit from Sydney Biennale in 2014 started a torturous recent history for corporate support, but there are still successful exceptions.
When property developer Aqualand first approached Sculpture by the Sea founder David Handley to discuss a possible sponsorship, he was wary.
Many wealthy private companies had suggested working with the annual Sydney institution before, but too often negotiations hurtled down the same dispiriting track.
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