Kate Ceberano | Adelaide Festival 2022 review
While Ceberano’s hardcore fans lapped up a diverse set, a late change of venue had the cabaret crowd heading for the door.
Adelaide Festival
Free/State – 2022 Adelaide Biennial of Australian Art review
Everywhere you look at the Biennial, cultures beg for recognition, and the arguments pull at your identity.
Wudjang: Not the Past | Adelaide Festival 2022 review
What makes Wudjang really stand apart is the operatic scale and intense focus of Bangarra’s departing artistic director Stephen Page.
The Picture of Dorian Gray | Adelaide Festival 2022 review
Eryn Jean Norvill is able to take on 26 characters and make them all memorable, while the major roles are exercises in virtuosity.
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Review: Small Metal Objects
The play is only one side of this spectacle. Passers-by stop to stare – not at the performers so much as the audience on a platform.
Review: Diana Doherty and The Streeton Trio
Martinu’s Oboe Quartet, for years the only major work for oboe and piano trio, grew in stature with this focused performance.
Review: San Cisco
It felt like the five-piece were more excited to be by the Torrens than the eager Friday night crowd.
Review: Fangirls
Part pop concert, all musical theatre … Fangirls’ new kids on the block have West End smash written all over them.
Review: Prince – A Tribute
Late Nite Tuff Guy, aka Cam Bianchetti, spun all Prince’s big 80s hits – which was exactly how most people would have wanted it.
Review: Jessica Mauboy lights up Adelaide Oval
Pop royalty Jessica Mauboy positively exploded onto the stage, so keen were she and her band to get back to what they do best.
Review: A Midsummer Night’s Dream
It’s the Shakespeare you know, set in a translucent green glade, where confident Young Adelaide Voices are the first of many joys.
Revealed: Midnight Oil’s to-do list for Australia
Peter Garrett and Midnight Oil have been pushing for social change for decades. Now, they have a a new check list for society as they start a national tour.
Past and present exist side-by-side in Clarice Beckett exhibition
Australian art curator Tracey Lock says a retrospective of Clarice Beckett’s work provides a timely antidote to our new world order.
Review: Guttered by Restless Dance
Unconfined by borders – be they physical, mental or societal – potential is allowed to flourish in Restless Dance’s Guttered.
Original URL: https://www.adelaidenow.com.au/entertainment/adelaide-festival/page/15