Just the ticket: Festival overcomes Covid to soar at box office
This year’s Adelaide Festival has lived up to all expectations at the box office, surpassing its ticket sales target with two days to spare.
Adelaide Festival
WOMADelaide 2022 reviews
Who better to close a WOMAD packed with Australian artists than Paul Kelly, backed by the mercurial voices of Vika and Linda Bull, armed with two hours of bona-fide classics?
Adelaide Festival Adviser: The shows that stunned our critics
As the Adelaide Festival draws to a close, read all our reviews in one spot here.
KRAM: Alone With You | Adelaide Festival 2022 review
Some tightening up would go a long way to making the Spiderbait frontman’s Alone With You the show it has the potential to be.
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Review: The Return
It was great to hear Peggy Glanville-Hicks’ Concerto Romantico paired with Margaret Sutherland’s Concerto for Strings.
Review: Igor Levit
Levit is a screen natural and has regularly streamed his house concerts worldwide during the pandemic.
Review: Womadelaide Day 3 – Tash Sultana, Kaiit, Miiesha
The closing chapter of a triple bill featuring Miiesha and Kaiit, Tash Sultana’s set felt like a jam session rather than a gig.
Review: Womadelaide Day 2 – Midnight Oil, Vika & Linda, MRLN x RKM
Sisters Vika & Linda Bull warmed up the crowd with a gospel set before Midnight Oil ignited the stage with its greatest hits.
BLKDOG and Six Years Later
Works by choreographers Botis Seva and Roy Assaf formed this Sadler’s Well Double Bill live streamed from the UK.
Review: Love Sonnet: After the Season of Thunder & Hail
Stephanie McCallum plumbed the very depths of the venue’s piano in visceral performances of Sculthorpe and Satie.
Review: The Hermit of Green Light
Actor John Gaden recited Michael Dransfield’s short and curious poem to a setting by Australian composer Ross Edwards.
Review: Here I Am
The lion’s share of a program of Australian rarities went to performances of works by composer Gordon Kerry.
Review: Paul Grabowsky & Vince Jones
Two giants of Australian jazz joined forces for a brief but diverse set at the Adelaide Festival’s new open-air Summerhouse venue.
Review: Eugene Onegin
Lithuanian director Rimas Tuminas calls on the remarkable and versatile skills of his big ensemble in homage to Pushkin’s poetry.
Original URL: https://www.adelaidenow.com.au/entertainment/adelaide-festival/page/13