Dark Mofo 2019: Costume review

It’s electronic pop as you’ve never seen it … Costume sure knows how to put on a show for Dark Mofo.

Costume

Odeon Theatre

Wednesday June 12

Costume is the persona of local Hobart writer and bookseller Adam Ousten, who looks very

different outside of his full-length red snakeskin jumpsuit, bouffant mohawk and dramatic

make up.

This show is a debut of his first album, Pan. It’s one of the great examples of Dark

Mofo’s support of local work premiering in this year’s festival.

If you’re a generation Xer with fond memories of the heyday of electronic pop then you’re

going to want to experience Costume. I say experience because seeing Costume live is not

like going to see a band — it’s a stylishly constructed performance filled with luscious

costumes, layered set design, a seriously complex lighting rig and a troupe of masked

dancers.

Costume performs at Dark Mofo 2019 at the Odeon. Picture: DARK LAB

The stage design is a highlight; it’s a sophisticated art pop video clip coming to life. It’s a bit

like early Duran Duran and The Cure collaborated with a Bauhaus designer.

It’s crackly, smoky and angular, and the costumes have shoulder pads. The choreography is precise and every moment is considered.

Despite a few technical difficulties at the start of the show, the performance was mesmerising

and unique.

Costume performs with violinist Natalya Bing at the Odeon. Picture: DARK LAB

Costume’s performance is engaging, stylish and distinct. Special mention needs to be made of the extremely talented Hobart based violinist Natalya Bing who brought emotional and musical high notes to the work. Catch Costume when he performs next, or check out his album Pan https://www.costyoume.co.

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