Hotel Cocaine: a biting tale of avarice and violence
Chris Brancato’s Hotel Cocaine traces the rise and fall of charismatic gangsters and is promoted with a line that says it all: ‘There’s No Business Like Blow Business’.
Chris Brancato’s Hotel Cocaine traces the rise and fall of charismatic gangsters and is promoted with a line that says it all: ‘There’s No Business Like Blow Business’.
A TV series inspired by Madeleine St John’s novel takes up the thread where the hit film version left off.
Benedict Cumberbatch shines in Eric, a new six-part series about a missing child. It is a show as compelling as it is odd.
Is the monogamous marriage model now antiquated? Netflix’s latest viral hit, knocking Baby Reindeer out of its number one spot, is creating enormous discussion among the millions who have watched it.
Readers might recall the 1970s fear and hostility that surrounded the Black Panther Party for Self Defense. Its role is under considerable review in America’s still-complicated racial narrative.
Tom Wolfe’s 1988 laceration of male pomposity, A Man in Full, resonates with relevance, splendidly brought to life in David E. Kelley’s lavish new TV series.
A factual reimagining of US killer suspect ‘Bob’ Durst’s story, Jinx – Part Two, is one of conjecture but makes for hypnotic, intense and compelling television.
Documentarian Ken Burns captures the casual demise of the buffalo – and the people who revered them – by America’s white settlers.
Baby Reindeer’s unsparing portrait of a man in meltdown has everybody talking — but you need to come prepared.
Filmmaker Joe Berlinger’s attention to dissecting true crimes through their links to culture and place is binge-worthy. His latest docu-series centres on Berlin.
Original URL: https://www.theaustralian.com.au/author/graeme-blundell/page/4