Follow the money
THE curators of Mix Tape 80s have indulged in a nostalgia trip through the art fashions of yesteryear.
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Performer paradox
THE Magnum exhibition at the State Library of NSW presents a well-chosen selection of photographs taken on the sets of a number of significant films.
Tangible life forms
IT seems human beings have a natural tendency to think everything is going to the dogs.
A world of reflections
THE strength of the National Gallery of Victoria’s Monet exhibition is in the artist’s later garden pictures.
Matters of life and death
WHEN we look at an apparently simpler and more rudimentary culture, we discover it uncomfortably mirrors fundamentals within our own lives.
Imprint of the divine
NO one interested in printmaking should miss the admirable exhibition devoted to Jessie Traill at the National Gallery of Australia.
Recovered memories
IMAGINE the discovery, in 1951, of an archive of 3500 glass plates from the 1870s that had lain undisturbed for 80 years or so in a Sydney garden shed.
Fleeting charms
SHEPPARTON is a long way from the Yoshiwara pleasure district of old Edo, as Tokyo was known during the Tokugawa shogunate.
Remote sense of unease
SOUTH of no North is neither a retrospective in the usual sense nor a group exhibition but something different and quite unusual.
Engagingly close encounters
IT is curious the press release for 13 Rooms describes the event as groundbreaking when the heyday of performance art was really some decades ago.
Original URL: https://www.theaustralian.com.au/author/christopher-allen/page/70