Beauty is truth no more
The image of beauty promoted today is an impossibly amplified version of the ideal. This show examines what is possible.
The image of beauty promoted today is an impossibly amplified version of the ideal. This show examines what is possible.
The overall impression of this show is a positive one, because of the human experience present in most of the work.
This small but rich exhibition celebrates the fashion for all things Japanese that arose in the late 19th century.
In the new age of digital devices, there are no spooks with headphones. Now computer algorithms are watching us.
Superficially, William Robinson’s work seems radically at odds with the classical tradition of landscape painting.
The loops of mystery surrounding the murder of Juanita Nielsen in Sydney’s Kings Cross are shown anew in this film.
John Russell was remarkably connected to so many important artists, yet his own work makes no serious contribution.
Unlike Boyd, who painted portentous figures, Blackman’s range was more private and personal.
These works repay attention with unexpected pleasure: they represent a range of evolving styles yet there is a coherence.
This remarkable artist stands firmly between two artistic traditions: his style evokes sophisticated visual tension.
Original URL: https://www.theaustralian.com.au/author/christopher-allen/page/38