‘Pale, stale, male’? How Farnham film beat funding hurdles
The story of John Farnham will soon be told for the first time on film, but its creators were surprised by the response at their first meetings.
The story of John Farnham will soon be told for the first time on film, but its creators were surprised by the response at their first meetings.
The American Film Institute has postponed its annual Life Achievement Award ceremony, slated to be the first to recognise an Australian actor
Carrie Fisher’s daughter has accused her aunts and uncle of trying to cash in on the legacy of the Star Wars actress.
A boy undercover is at the heart of Cairo Conspiracy’s story about political strings forcing the election of a new Grand Imam.
Nida Manzoor’s Polite Society starts out as a Pakistani Pride and Prejudice in today’s London and leaps an impressive distance from there.
First-time actor Mwajemi Hussein stars in Rolf de Heer’s haunting film about race, fear and contagion.
Ivan Sen has created a moody outback noir, with Simon Baker almost unrecognisable as a heroin-using detective.
An Indigenous-made film about a white person who identifies as Aboriginal has been banned by the bodies that funded and commissioned it, over fears it is ‘harmful’.
The famed director revealed his regret at editing guns out of the beloved film and warned against pandering to modern sensibilities.
Ana de Armas has a surprising excuse for not texting back in action comedy Ghosted, an Apple TV film about a spy and a civilian forced to join forces to stop the baddies.
The actor stars in this true story about four elderly friends who indulge in chicken wings, gambling and more at the Super Bowl.
AI is coming for cinema ‘whether we want it or not’, says Avengers director Joe Russo.
Filmmaker Rolf de Heer on why he’s compelled to tell Indigenous stories, dodging claims of cultural appropriation and directing jazz legend Miles Davis.
Her lazy husband is unfaithful, her colleagues are mansplainers and she hasn’t had sex for three years. Then her life changes.
The actor’s performance as a late-40s man with a medicine cabinet full of problems deserves four stars.
From searing analysis on the dark side of fashion’s glamour, to celebrating the impact of the industry’s many style icons on clothes, and beyond, here are 10 of the best sartorial films of 2023.
Actors Woody Harrelson and Matthew McConaughey have taken their bromance to the next level by revealing there is a chance they are, in fact, brothers.
Jeanne du Barry marks the American star’s acting comeback after a three-year hiatus following his high-profile legal battle with ex-wife Amber Heard.
The actor stars alongside Morgan Freeman in A Good Person, a film about the snowball effect of a devastating event.
The Pope’s Exorcist is a more fictional account that takes The Exorcist and adds a bit of the Da Vinci Code and a splash of Indiana Jones.
A Harry PotterTV series is officially moving forward at HBO Max, with author JK Rowling set to executive-produce the series.
Working outside the mainstream, microbudget film directors are making horror flicks for fun, not profit.
As Australian Pallavi Sharda found out, India’s film industry is just like a bazaar: everything she did in pursuit of her cinematic dream was a transactional compromise.
This Oscar-nominated film about the life of a donkey shows how men are, on the whole, brutish, violent and self-serving.
In Murder Mystery 2 Jennifer Aniston and Adam Sandler peddle borderline dad jokes. It’s a Friday night movie; one to watch with a glass of something and the brain in sleep mode.
Alexander Skarsgard likes to explore the darker side in his screen roles, from Nicole Kidman’s husband in Big Little Lies to his latest in sci-fi horror film Infinity Pool.
Ben Affleck’s Air is less a sports movie than a sports marketing movie. The script is sharp and the performances are tremendous.
Broker, a charmingly confronting film, is finally reaching Australian cinemas.
A neurologist called by Gwyneth Paltrow’s legal team says there is no evidence of post-traumatic brain injury in scans taken of Terry Sanderson.
Guy Pearce says actors should not have to announce their gender identity or sexual preference to attain work, and it should not be used to preclude them from roles.
Original URL: https://www.theaustralian.com.au/arts/film/page/22