Life on Mars
Getting the science right was crucial for the screen adaptation of The Martian.
Getting the science right was crucial for the screen adaptation of The Martian.
It isn’t difficult to find a horror film this week, as October marks the onslaught of Halloween festivities.
A refusal to take no for an answer landed graphic artist Brendan McCarthy his dream job.
Every library should have a copy of Magda Szubanski’s Reckoning: A Memoir, and every school should teach it.
‘We set the record for smashing up cars on Spectre,’ says chief stunt co-ordinator Gary Powell.
The French producers of the global television sensation Versailles have issued a warning to President Francois Hollande.
Ramin Bahrani wanted to capture the mortgage meltdown — yet still sell tickets to a mass audience.
Sullivan Stapleton has joined the ranks of Animal Kingdom alumni who have gone on to have flourishing careers overseas.
The Australian family film Oddball has qualified as another local hit in a bounteous year.
Mel Gibson’s son Milo has joined major Australian actors in his father’s war drama Hacksaw Ridge.
Should the film industry adopt quotas to boost the number of female directors? No way, says actress Marion Cotillard.
Will Smith is an innocent Baltimore barrister who is implicated in a national security scandal in Enemy of the State.
Child 44, the latest in a wave of films centred on World War II, is dour but has a stellar cast.
Spike Lee’s Inside Man, starring Denzel Washington and Clive Owen, adds intellectual twists to the typical thriller.
Snowtown director Justin Kurzel found Shakespeare’s Scottish play was the perfect choice for his follow-up film.
Director Jocelyn Moorhouse has faced down professional and personal crises to make her comeback film.
A legal complaint filed this week alleges the studio concealed millions in profits from the hit 1990 film.
Kermit and Piggy have broken up and Fozzie Bear is online dating: the new Muppets is edgy but has it forgotten the kids?
A neighbourhood is infiltrated by a sex-worker murderer. Its response to the fear and media invasion is strangely uplifting.
An adventurous approach brings the classic story of Peter Pan to life.
Original URL: https://www.theaustralian.com.au/arts/film/page/193