Play about youth mental health brings out emotion
When Kendall Feaver’s play makes its Australian debut in Sydney next week, the writer will be braced for the audience’s possible reaction.
When Kendall Feaver’s play makes its Australian debut in Sydney next week, the writer will be braced for the audience’s possible reaction.
From new “family-friendly” ticket prices, to guest appearances by world-renowned conductors and soloists, the SSO has unveiled a packed 2019 season.
SOME of the most fascinating life stories in this year’s Archibald Prize lie behind the least famous faces on the walls.
A new exhibition at the Art Gallery of NSW seeks to give a forgotten Australian painter — a friend of Van Gogh and Monet — the status he deserves.
IT would take a brave literary critic to savage the writing of Kings Cross identity John Ibrahim, so perhaps it should come as no surprise his book The Last King Of The Cross has been long-listed for the 2018 Ned Kelly Awards.
For Australian artists Luke Sciberras and Euan Macleod, painting on the clifftops of Belle-Ile-en-Mer was a pilgrimage to uncover the little-known story of expat painter John Peter Russell.
The black and white photographs, carefully preserved throughout a lifetime of secret trauma, are possibly the most heartbreaking thing of all.
The true story of a German couple who sheltered a Jewish man during World War II — and at war’s end convinced him that the Nazis had won — is the subject of a new play in Sydney.
Rosemary Valadon’s new paintings reveal a private world inside the artist’s beautiful Hill End studio.
John Mawurndjul thought it was hilarious. The idea of white kids singing Heads Shoulders Knees and Toes in Kuninjku “really appealed” to the Maningrida bark master.
Original URL: https://www.dailytelegraph.com.au/journalists/elizabeth-fortescue/page/32