Submergence doesn’t quite come up as it should
REVIEW: SUBMERGENCE is an elegantly meandering romantic drama which has a fine couple in Alicia Vikander and James McAvoy, but only a fleeting impact on viewers.
REVIEW: SUBMERGENCE is an elegantly meandering romantic drama which has a fine couple in Alicia Vikander and James McAvoy, but only a fleeting impact on viewers.
A POWDER keg of restless energy, BlacKkKlansman detonates a series of controlled explosions across its generous running time. And thankfully, a master director like Spike Lee knows exactly when the fuse should be lit.
THE young-adult-dystopia bandwagon left town abruptly a few years ago so you kind of have to feel sorry for The Darkest Minds, which generates all the tension, urgency and desperation of a trip to your front gate and back.
A TWO-million-year-old giant shark is happily living on the ocean floor until he is rudely disturbed by scientists. What follows just might make The Meg the biggest, dumbest and irresistibly shonky action movie of the year.
REVIEW: Most of your favourite past-it Brits are still living it largely for laughs and love in The Second Best Exotic Marigold Hotel.
REVIEW: A Most Violent Year is an imposing urban crime drama, the kind that Paul Newman or Al Pacino would have starred in back in the day.
REVIEW: Project Almanac is a likeable, lightweight, teen time-travel thriller that is let down by being filmed with shaky hand-held cameras.
IS it Michael Keaton’s turn after his comeback in Birdman? Will Julianne Moore finally get an Oscar for Still Alice? Here’s our predictions.
REVIEW: A Russian toilet cleaner and a half-man-half-dog in deep space. Every bit the non-classic it just has to be. Welcome to Jupiter Ascending.
REVIEW: Former host of The Daily Show, Jon Stewart, makes his directorial debut in the intriguing factual drama Rosewater.
WITH further erratically erotic sequels now officially on the way, the time has come to grade the first Fifty Shades movie.
FIFTY Shades of Grey is here but it’s not quite as steamy as you’d expect, writes Leigh Paatsch. It’s trashy but it’s not garbage.
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