Leigh PaatschThe tension levels in Heretic start out slightly north of uncomfortable and end somewhere just south of unbearable – thanks to an impeccably cast Hugh Grant, writes Leigh Paatsch.
Leigh PaatschFrom vividly immersive world-building to an instantly investing tale, what Wicked does well, it does very impressively indeed – but it helps if you love movie musicals of all shapes and sizes, writes Leigh Paatsch.
Leigh PaatschAudiences have been baying for a sequel to Ridley Scott’s Oscar-winning sword and sandals classic for more than two decades – but is it worth the wait?
Leigh PaatschThe extraordinary journey of Aussie tennis prodigy Jelena Dokic in suffering under and standing up to her tyrant coach father is as heartbreaking as it is inspiring, writes Leigh Paatsch.
Leigh PaatschSaturday Night reveals the first steps leading to the giant strides of sketch show SNL, while the uneven Venom: Last Dance asks whether we needed a Venom saga at all. writes Leigh Paatsch.
Leigh PaatschSmile 2 finds searingly memorable and distinctly shocking ways to improve upon its macabrely malevolent predecessor, writes Leigh Paatsch.
Leigh PaatschWhile odd-couple crime comedy Brothers might have benefited from a leaner, meaner approach, it snaps into shape thanks to Josh Brolin and Peter Dinklage, writes Leigh Paatsch.
Leigh PaatschNo movie could stand a chance of decoding the all-bamboozling enigma that is Donald Trump – but The Apprentice achieves some success, writes Leigh Paatsch.