Ten days before the premiere of the documentary The Stringer at the Sundance Film Festival on January 25, the Associated Press published an extraordinary 23-page report of a six-month investigation rebutting the movie’s premise, without having seen a second of footage.
The Stringer questions whether the world-renowned, Pulitzer Prize-winning photograph of a naked nine-year-old girl running from a napalm attack during the Vietnam War was attributed to the correct photographer. It’s also the only film to arrive at this year’s Sundance under a cloud of controversy, with a global news organisation fighting its stunning claims and a lawyer for the image’s credited photographer seeking to block its screening and threatening a defamation suit.
Washington Post