A pleasure, an annoyance, a digital marvel, a mass-market commodity, a cultural touchstone, a gimmicky cheap shot – a 21st-century pop hit can be all of those, often at the same time. Even for those who try to tune them out, the songs insinuate themselves. They pour out of radios, pulse loudly at stores, back up TV commercials, punctuate movies, provide walk-up music for sports stars, pump through exercise classes, leak from the earbuds of nearby subway riders.

They are relentlessly and almost scientifically catchy.

New York Review of Books