I’m sitting in the restaurant of the Art Gallery Of NSW’s Naala Badu building, but it feels like I’m rocking on a river. The cause of this weird sensation is the boats bobbing by on a 20-metre-long screen just behind my companion, the AGNSW’s new director and first female boss in its 154-year history, Maud Page.
“When we were putting it in, we wondered whether people would feel a little unstable,” says Page, with the gentle smile that seems her default setting.
An earlier version of this story misreported the total amount of NSW government funding the gallery was allocated in the 2024-25 NSW budget.