Garden fee not a free-for-all
Garden of Unearthly Delights organisers have defended long lines and a $4 admission fee as being necessary to maintain crowd capacity limits.
Garden of Unearthly Delights organisers have defended long lines and a $4 admission fee as being necessary to maintain crowd capacity limits.
The SA opposition has demanded the premier “use his power” after Writers Week booked two speakers accused of spreading “propaganda” against Israel and Ukraine.
Here are The Advertiser reviewers’ verdicts on the latest shows including The Goat, or Who is Sylvia?, Mono and Mourning Tea.
Indigenous shows stretching far beyond traditional imagery and subject matter are at the very centre of this year’s Adelaide Festival program.
Her plan of attack? It’s simple: Everyone in SA pays for the Adelaide Festival (if they pay their taxes) so we need to be serving them, she says. Here’s how she plans to do so.
Regarded as arguably the bravest underground ensembles on the planet, Belarus Free Theatre is bringing its powerhouse show, and message, to Adelaide … and it couldn’t come soon enough.
A new climate change project for young people will be a major part of the Adelaide Festival. Bushfires, waste and endangered species are some of the issues it will address.
A stand-up comedian has hit out at Adelaide Fringe “censors” who refused to publish his promotional poster because it might offend Japanese people.
Adelaide’s Joe Bird has walked the red carpet at the renowned festival for the premiere of his new film Talk To Me.
Here’s our verdict on January’s big arts shows, including Brink’s Symphonie de la Bicyclette, Red Phoenix’s A Promenade of Shorts and Agatha Christie’s The Mousetrap.
Original URL: https://www.adelaidenow.com.au/journalists/patrick-mcdonald/page/14