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At first, Joker: Folie a Deux is entertaining. Then it quickly isn’t
★★
Review

At first, Joker: Folie a Deux is entertaining. Then it quickly isn’t

Starring Joaquin Phoenix and Lady Gaga, the sequel is wildly misconceived – a small story inflated by grandiose intentions.

  • by Sandra Hall

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The Critic is nasty but not nasty enough (as a critic, I would say that)
★★½
Review

The Critic is nasty but not nasty enough (as a critic, I would say that)

This sordid yet cosy British melodrama starring Ian McKellen is full of people behaving badly, but it never quite comes together.

  • by Jake Wilson
Why making a film about Donald Trump turned into a minefield

Why making a film about Donald Trump turned into a minefield

Ali Abbasi sees The Apprentice as a study in naked ambition, but his subject isn’t the only one who’s not happy.

  • by Karl Quinn
Dame Maggie Smith, actress who conquered stage and screen with her wit, poise and eccentricity

Dame Maggie Smith, actress who conquered stage and screen with her wit, poise and eccentricity

As a rare embodiment of English poise, human complexity and a formidable bearing, Dame Maggie Smith had captivated stage, screen and television audiences for decades.

  • by Telegraph Obituaries
France’s most successful film bromance finds the funny side of debt

France’s most successful film bromance finds the funny side of debt

After striking gold with The Intouchables, Olivier Nakache and Eric Toledano return with A Difficult Year – and it’s not as dark as you think.

  • by Jake Wilson
Sir Ian McKellen on why his most famous line in a movie was a mistake

Sir Ian McKellen on why his most famous line in a movie was a mistake

“Don’t tell anybody, but I got it wrong,” one of Britain’s greatest actors says.

  • by Garry Maddox
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Francis Ford Coppola’s Megalopolis should have been weirder

Francis Ford Coppola’s Megalopolis should have been weirder

The legendary director’s ambitious swing about the fall of the US empire, told as a modern Roman fable, is packed to bursting with ideas that don’t always work.

  • by Robert Moran
‘They exist on a different level’: The transformation of Lady Gaga and Joaquin Phoenix

‘They exist on a different level’: The transformation of Lady Gaga and Joaquin Phoenix

Director Todd Phillips says the stars of anticipated sequel Joker: Folie à Deux don’t know how good they are.

  • by Michael Idato
The Italian film about domestic violence that was bigger than Barbie

The Italian film about domestic violence that was bigger than Barbie

The comedic drama There’s Still Tomorrow has become a cultural phenomenon, sparking debate about men killing women.

  • by Garry Maddox
Is Megalopolis even worth watching? We asked Francis Ford Coppola

Is Megalopolis even worth watching? We asked Francis Ford Coppola

The epic cost the venerated director 40 years, a personal fortune and a critical backlash.

  • by Karl Quinn
Demi Moore’s audacious body horror dives beneath the surface
★★★½
Review

Demi Moore’s audacious body horror dives beneath the surface

The Substance is a morbid satire on Hollywood, the beauty industry and the dream of eternal youth.

  • by Jake Wilson

Original URL: https://www.watoday.com.au/topic/cinema-jg4