Why feel-good movie is better than name suggests
Look past that ungainly name and see something special in the warm and witty feel-good My Old Ass, writes Leigh Paatsch.
Leigh Paatsch
Why The Wild Robot will be a family hit
The engagingly entertaining The Wild Robot is in instant-classic territory, writes Leigh Paatsch.
‘Unnerving’: Why pulp thriller leaves a lasting zing
Disturbing yet funny, you can’t tell whether Speak No Evil has been designed to charm you or choke you, writes Leigh Paatsch.
Why Keaton is only saving (dis)grace for average sequel
Despite Michael Keaton having the time of his afterlife, there’s not enough of his coffin-tipping high-jinks to carry Beetlejuice Beetlejuice to greatness, writes Leigh Paatsch.
More Stories
‘Breathtaking’: Why attack on AI weapon is powerfully memorable
The Creator will come to be regarded by most sci-fi enthusiasts as an honourably flawed, yet a totally admirable movie experience, writes Leigh Paatsch.
Nerve-shredding: How Liam Neeson redeemed himself
Liam Neeson redeems himself admirably with his latest 70-year-old-bloke-about-to-snap opus, writes Leigh Paatsch.
Why Branagh’s A Haunting in Venice may be the best Poirot yet
Kenneth Branagh is back as famous detective Hercule Poirot and the mysteries are twistier than ever, writes Leigh Paatsch.
Why Denzel’s new Equalizer film is best in franchise
Denzel Washington knocks it out of the park with a riveting performance in The Equalizer 3, writes Leigh Paatsch.
Passion project: Why TMNT reboot kicks butt
The world didn’t need another Teenage Mutant Ninja Turtle movie, but Leigh Paatsch explains why long-time fan Seth Rogen’s reboot is the best yet.
Why low budget love story rivals Oppenheimer as year’s best
It was made with a fraction of the budget, but a Korean romance could spoil the party for the mighty Oppenheimer during the coming awards season, writes Leigh Paatsch.
Dog movie that will have you laughing out loud
A new movie featuring antics of badly-behaved dogs starts stronger than any screen comedy I can recall in the past five years, writes Leigh Paatsch.
Why absurd movie drew A-list cast
A-listers such as Scarlett Johansson and Tom Hanks fall over themselves to work with director Wes Anderson – and his latest comedy Asteroid City shows why.
Low-budget Aussie horror film killing it at US box office
Simple but very effective, a low-budget Australian horror film by two Adelaide brothers has already made a big impact at the US box office. See review.
First review: Why Oppenheimer is cinema at its very best
Christopher Nolan’s biopic Oppenheimer shows the great heights that cinema can hit and all but assures an Oscar for leading man Cillian Murphy.
Original URL: https://www.thechronicle.com.au/entertainment/movies/leigh-paatsch/page/9