How Johansson, Tatum pairing gives retro rom-com lift-off
While Fly Me To the Moon does not always take the most direct or smooth route, an excellent lead pairing of Scarlett Johansson and Channing Tatum never falters, writes Leigh Paatsch.
While Fly Me To the Moon does not always take the most direct or smooth route, an excellent lead pairing of Scarlett Johansson and Channing Tatum never falters, writes Leigh Paatsch.
It may be a reboot of a ’90s classic, but Twisters’ weather at its worst owns every single centimetre of the big screen. There’s just one thing missing, writes Leigh Paatsch.
Not since Brad Pitt slunk into view in Thelma & Louise has the camera loved anyone as much as Austin Butler, writes Leigh Paatsch.
Documentary reveals why the world bought into power, passion and political values of Midnight Oil, writes Leigh Paatsch.
A compromised Killers Of the Flower Moon is saved by the terrifying true story it is privileged to tell, writes Leigh Paatsch.
Expend4bles ain’t about to go messing with the winning, wincing formula of he-men, optional dialogue and high body count, writes Leigh Paatsch.
The Exorcist was one of the scariest mainstream motion pictures of all time. With this new sequel, you will have no choice but to listen, and no choice but to be scared, writes Leigh Paatsch.
The Creator will come to be regarded by most sci-fi enthusiasts as an honourably flawed, yet a totally admirable movie experience, writes Leigh Paatsch.
Liam Neeson redeems himself admirably with his latest 70-year-old-bloke-about-to-snap opus, writes Leigh Paatsch.
Kenneth Branagh is back as famous detective Hercule Poirot and the mysteries are twistier than ever, writes Leigh Paatsch.
Denzel Washington knocks it out of the park with a riveting performance in The Equalizer 3, writes Leigh Paatsch.
The world didn’t need another Teenage Mutant Ninja Turtle movie, but Leigh Paatsch explains why long-time fan Seth Rogen’s reboot is the best yet.
It was made with a fraction of the budget, but a Korean romance could spoil the party for the mighty Oppenheimer during the coming awards season, writes Leigh Paatsch.
A new movie featuring antics of badly-behaved dogs starts stronger than any screen comedy I can recall in the past five years, writes Leigh Paatsch.
Original URL: https://www.thechronicle.com.au/entertainment/movies/leigh-paatsch/page/7