Masks and the matrix
Marina Abramovic is the queen of performance art but has her work lost its potency?
Marina Abramovic is the queen of performance art but has her work lost its potency?
Fascinating and moving insights into the experience of war are brought to light by an Art Gallery of NSW exhibition.
The art of ceramics is perhaps humankind’s oldest, and it’s thriving at the National Art School in Sydney.
Archibald Prize mega-portraits seem at last to have become virtually extinct.
Filmed dance puts the viewer right up close but lacks the intimacy of being with real bodies in a shared space.
Two exhibitions reveal the spirit of adventure and patriotic excitement sparked by war — but also the unspeakable horrors.
William Dobell’s best-known images of New Guinea were the product of a long digestion in the artistic imagination.
John Wolseley re-enchants our connection with nature and shows the absurdities of contemporary consumer culture.
Death Magic, the new Egyptian display at the Nicholson Museum at Sydney University is impressive.
Mass killing and mass entertainment were born at almost the same time a century ago.
Original URL: https://www.theaustralian.com.au/author/christopher-allen/page/57