Conflicted identities
An exhibition of Papua New Guinean art is a striking illustration of the variety of cultures within the territory.
An exhibition of Papua New Guinean art is a striking illustration of the variety of cultures within the territory.
John Olsen is considered Australia’s most important abstract painter but how seriously should we take his works?
Depictions of the nascent colony of what would become Perth point to the hopes and dreams of settlers.
This exhibition is full of fascinating things, but can it truly be considered a history of the world?
Harold Cazneaux’s images of Sydney Harbour reflect the extraordinary artistry in his approach to photography.
Fine examples of Persian and Arabic calligraphy are on display at an Art Gallery of NSW exhibition.
Bruce Armstrong’s often large, deceptively simple and enigmatic animal forms can have a deep effect on the beholder.
Bernard Smith, rightly considered the father of Australian art history, was born an outsider.
Tsukioka Yoshitoshi is usually considered the last of the great exponents of ukiyo-e, Japanese woodblock prints.
Mike Parr will be remembered for his striking 1970s performances, but he is also an impressive printmaker.
Original URL: https://www.theaustralian.com.au/author/christopher-allen/page/49