‘He was there … and then he was gone’
Why sign on to watch somebody die? Julian Kingma faced down his own fear of death by undertaking an extraordinary photographic assignment.
Why sign on to watch somebody die? Julian Kingma faced down his own fear of death by undertaking an extraordinary photographic assignment.
Rotten shark for dinner, standoffish host parents: Hannah Kent’s year in Iceland was isolating and bleak, but she remains homesick for the culture she now loves.
From an astonishing memoir of life inside Gloriavale to an exquisitely packaged novel of wartime intrigue, here are Review’s standout titles to read right now.
The judges of the prestigious Stella Prize have announced a ‘consequential’ shortlist, featuring only writers who are women of colour.
Kerry Greenwood, the writer who created the famous Miss Phryne Fisher, a female sleuth with a pearl-handled pistol, has died.
On the death of Andrew Krakouer, and your feedback on writers’ festivals, in our weekly column by literary editor Caroline Overington
Meta says it doesn’t have to ask permission or pay writers for sampling their works to train AI. They disagree.
Oliver Freeman, a man with three marriages and seven children, had a ‘rather long adolescence’ before making the link between his affairs and the collapse of his relationships. His book reflects on his life in a way he hopes ‘other men find useful’.
It has been quite the road for Blanche d’Alpuget to get her new book – rejected by Australia’s ‘big five’ publishing houses for being too ‘racy’ – on the shelves.
Loud music annoys the fans at the SCG? Maybe, but not as much as losing week after week.
Original URL: https://www.theaustralian.com.au/author/caroline-overington/page/2