Crystal Castles III (Crystal Castles)
THE third full-length album released by this Canadian electronic duo lacks the sonic punch that made their first two albums such compelling listens.
THE third full-length album released by this Canadian electronic duo lacks the sonic punch that made their first two albums such compelling listens.
FOR Australian rock fans, this supergroup is a match made in heaven: two members from Beasts of Bourbon and two from the Drones.
‘MY job is to lie to the media so they can lie to you,” 25-year-old Ryan Holiday writes on the first page of his first book.
SOME might say rock musicians are more readily associated with egotism than altruism, yet this collection is the second in a series that seeks to buck that stereotype.
THE trouble with releasing a killer debut album is that it’s much harder to impress with the follow-up.
WHAT we have here is an original and compelling take on pop music viewed through the lenses of electronica, R&B and hip-hop.
THROUGH change comes artistic progress. On its second album, Perth-based rock act Sugar Army has streamlined the sound out of necessity: the band’s bassist joined fellow Perth group Birds of Tokyo, reducing the quartet to a trio.
THIS is a messy album in the best way possible. The music created by Brisbane four-piece We All Want To swings back and forth between charming indie pop and rock with jagged edges.
BENJAMIN Law has turned to another topic close to his heart: attitudes to homosexuality in seven Asian countries.
FOUR years between albums is plenty of time for younger competitors to snatch the crown from Australia’s electronic music kings.
Original URL: https://www.theaustralian.com.au/author/andrew-mcmillen/page/127