Natasha Bieniek’s ‘Self-portrait with Florence’, oil on wood, 13.5 x 18.5 cm.

Robert Fielding’s ‘Mayatja (keeper of song and culture’, synthetic polymer paint, ash and packing tape on paper, 169 x 179.7 cm.

Paul de Zubicaray’s ‘You can’t hurt me anymore’,oil on canvas, 152 x 101.2 cm.

Caroline Zilinsky’s ‘A lucid heart: the golden age of Jacob Elordi’, oil on linen, 152.5 x 122.4 cm.

Angus McDonald’s ‘Professor Marcia Langton AO’, oil on canvas, 154.5 x 271.5 cm.

Yoshio Honjo’s ‘Akira Isogawa’, suihi-enogu (Japanese pigment) and sumi ink on kumohadamashi paper, 197 x 106 cm.

Dagmar Cyrulla’s ‘Le mariage’, oil on linen, 81.5 x 61 cm.

Craig Handley’s ‘Timequake’, oil on linen, 122.5 x 183.5 cm.

Jaq Grantford’s ‘Ed Le Brocq: I am a centaur’, oil on canvas, 170 x 160 cm.

Ben Howe’s ‘Kylie and Sami’, oil on canvas, 46 x 101.5 cm.

Jill Ansell’s ‘Pericles: just scratching the surface’, oil on board and assemblage in found tin, 10.5 x 16 cm.

Marcus Wills’ ‘Callum’, oil on linen, 41 x 30.5 cm.

Kean Onn See’s ‘Margaret Ackland’€™, synthetic polymer paint on carved woodblock, 64.6 x 69.5 cm.

Matt Adnate’s €˜Rhythms of heritage’€™, spray paint and synthetic polymer paint on linen, 220 x 188.5 cm.

Stephanie Galloway Brown’s ‘€˜Kathrin Longhurst’€™, oil and wax on canvas, 121.5 x 91.5 cm.

Danny Morse’s ‘Sean and Claire and Sharon and Debbie’€™, synthetic polymer paint on canvas, 180 x 120.5 cm.

Janis Clarke’s ‘Beckah in the studio’€™, oil on linen, 86.5 x 112 cm.

Sam Leach’s ‘€˜Louise Milligan’€™, oil on wood, 60 x 40 cm.

Mia Boe’s ‘Tony’, synthetic polymer paint and oil on linen, 198 x 137.2 cm.

Liz Sullivan’s ‘Germaine’, synthetic polymer paint, oil, coloured pencil, graphite and pastel on board, 159.8 x 120 cm.

David Grigg’s ‘Cold wind blows’, oil on canvas, 244.5 x 183 cm.

Eliza Bertwistle’s ‘Chanel Contos (smiling feminist)’, oil on board, 165 x 122.1 cm.

Laura E Kennedy’s ‘Fluroscuroreduo (diptych after Natasha Bieniek)’, synthetic polymer paint pen, pencil, marker and resin on wood, 2 parts: 7 x 5.4 cm.

Daniel Kim’s ‘Blue jeans and flowers’, synthetic polymer paint on canvas, 150 x 190 cm.

Camellia Morris’s ‘Wild Wild Wiggle’, synthetic polymer paint on canvas, 183 x 91.5 cm.

Kelly Maree’s ‘Josh Heuston’, synthetic polymer paint on linen, 125 x 145.5 cm.

Tim Owers’ ‘On the bench and on the cusp (portrait of Cortnee Vine)’, oil on board, 122 x 80.7 cm.

Zoe Young’s ‘Jills at Bills’, synthetic polymer paint and orange blossom water on canvas, 202 x 174.6 cm.

Guido Maestri’s ‘Obscured self-portrait’, oil on linen, 45.5 x 41 cm.

Ben Smith’s ‘If you can see it, you can be it’, oil on canvas, 63 x 41.5 cm.

Adrian Jangala Robertson’s ‘Jumpin’€™ Julie, Yuendumu’€™, synthetic polymer paint on canvas, 121.5 x 91.6 cm.

Oliver Watts’ ‘Last King of the Cross’, synthetic polymer paint on canvas, 213.5 x 152.5 cm.

Simon Richardson’s ‘Portrait of Fiona Pardington’, egg tempera on aluminium composite panel and frame, 59.5 x 69 cm.

Holly Anderson’s ‘Not not a mother’, oil on aluminium panel, 42.8 x 28.5 cm.

Whitney Duan’s ‘Fluffy (Jordan Gogos)’, oil, oil pastel and synthetic polymer paint on canvas, 120.7 x 91 cm.

Kris Andrew Small’s ‘New’, synthetic polymer paint and spray paint on canvas, 142 x 122 cm.

Laura Jones’ ‘Tim Winton’, oil on linen, 198 x 152.5 cm.

Emily Crockford’s ‘Singing with my selfie at the top of the world with my imagination’, synthetic polymer paint on canvas, 150 x 120 cm.

Nicola Higgins’ ‘Missy with ukulele’, oil on canvas, 137 x 102 cm.

Thea Anamara Perkins’ ‘Mum (Hetti)’, synthetic polymer paint on board, 45.7 x 183 cm.

Shaun Gladwell’s ‘A spangled symbolist portrait of Julian Assange floating in reflection’€™, oil and aluminium flakes on canvas, 151.5 x 112 cm.

Anna Mould’s ‘Complicit’, synthetic polymer paint, embroidery thread and rosewater on canvas, 254.5 x 164.1 cm.

Tsering Hannaford’s ‘Meitation on seeing (portrait of Dad)’, oil on board, 117.2 x 91 cm.

Natasha Walsh’s ‘The marriage of Nicol and Ford’, oil on copper, 38 x 49.5 cm.

Thom Roberts’s ‘Big Bamm-Bamm’, synthetic polymer paint on canvas, 152.5 x 102.5 cm.

Julian Meagher’s ‘Fozz 2024’, oil on linen, 183 x 152.5 cm.

Mostafa Azimitabar’s ‘Angus McDonald’, oil on linen, 152.5 x 122.4 cm.

Scott Marsh’s ‘Big mood’, spray paint, synthetic polymer paint, enamel and oil pastel on canvas, 190.5 x 119.3 cm.

Karen Black’s ‘Vivian Vidulich’, oil on polyester, 183 x 152.5 cm.

Meagan Pelham’s ‘€˜Highlight in the moonlight’€™, ink, gouache, synthetic polymer paint pen, gold and silver foil, and glitter spray on paper, 115 x 85 cm.

Jessie Bourke’s ‘Different, not less’, oil on canvas, 130 x 90.2 cm.

Sally Ross’s ‘Matthew’, oil on wood, 130 x 109.8 cm.

Nick Stathopoulos’s ‘The last picture show:€“ portrait of David Stratton’€™, synthetic polymer paint and oil on canvas, 61.5 x 91.5 cm.

Digby Webster’s ‘Trevor my filmmaker with camera’, synthetic polymer paint on linen, 91 x 61 cm.

Drew Bickford’s ‘Direct-to-video’, oil on canvas, 152 x 101.7 cm.

Laura Peacock’s ‘Peter at home’, synthetic polymer paint on paper, 33.5 x 28.4 cm.

Kirsty Neilson’s ‘Cheng Lei: after China’, oil on board, 120 x 170 cm.